{"id":8000,"date":"2018-07-03T14:49:38","date_gmt":"2018-07-03T18:49:38","guid":{"rendered":"http:\/\/gregcookland.com\/wonderland\/?p=8000"},"modified":"2018-10-31T20:17:02","modified_gmt":"2018-11-01T00:17:02","slug":"african-american-master-artists","status":"publish","type":"post","link":"https:\/\/gregcookland.com\/wonderland\/2018\/07\/03\/african-american-master-artists\/","title":{"rendered":"Northeastern Says Landmark Black Artists Residency Program \u2018Must Vacate\u2019 Jamaica Plain Building"},"content":{"rendered":"<p>Artists involved in the African American Master Artists In Residence Program at Northeastern University charge that on Sunday the Boston school locked artists out of the building the four-decade program has long occupied in Jamaica Plain, and is trying to push the artists out of the place.<\/p>\n<p>On June 28, Maria Cimilluca, a Northeastern vice president for facilities, sent a letter to artists in the program, which is affiliated with the school\u2019s Department of African American Studies, ordering them to move out of program studios at 76 Atherton St. by July 13 \u201cbecause of hazardous conditions\u201d in the building. (Read: <a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/Gloretta-Baynes-AAMARP-Letter-6.28.2018.pdf\">Cimilluca&#8217;s full letter.<\/a>)<\/p>\n<p>\u201cRecent patrols and inspections have revealed increasing safety and security concerns,\u201d Cimilluca wrote. \u201cNortheastern received an engineering report from an outside firm that lists significant structural, electrical, and other hazardous conditions that currently exist within the building; some of these conditions have been created\/exacerbated by the occupants.\u201d<\/p>\n<p>\u201cIt really caught us off guard,\u201d says Don West, a photographer who has been one of the program\u2019s artists for more than 20 years. \u201cIt came out of the blue.\u201d<\/p>\n<p>\u201cThere was no prior discussion for this to happen,\u201d says fiber artist L&#8217;Merchie Frazier, who has had a studio in the building as part of the program for more than 10 years. Artists say the school has not offered them any alternative space to use during the repairs. \u201c\u2026.The idea that this building is being declared unsafe has to do with them taking the building to do what they want to do with it.\u201d<\/p>\n<p>\u201cThey may be playing smaller games to get rid of us,\u201d West says. \u201c\u2026This is really a front on attack on us right now.\u201d<\/p>\n<p>\u201cRight now we have to be focused on making the space safe,\u201d Renata Nyul, a vice president of communications at Northeastern University, told me via email Monday. \u201cThat is our number one priority. (I&#8217;m sure you recall the tragedy in Oakland that resulted in dozens of lives lost.)\u201d<\/p>\n<p>Monday afternoon, I asked Nyul via email: Is there a timeline for when Northeastern plans to complete the repairs? And is Northeastern going to have AAMARP move back into the building after the building repairs are made? I\u2019m awaiting a response.<\/p>\n<p>\u201cThis process with this institution is one that is bankrupt and corrupt if it does not recognize the work, labor, strength of the people who have put in the time and energy displaying the community, the people in it,\u201d longtime Boston activist and politician Mel King said at a press conference artists held at the building Sunday evening. (See video below.) He said he\u2019s called the office of the president of Northeastern and the school\u2019s lawyer. \u201cI wanted them to know that we need to honor the work and the lives of the people who have made this place an incredible resource for the city and for the school. And I think people need to really understand it that you have an incredible resource that you\u2019ve put together. They didn\u2019t put it together. \u2026 The power of what you have accomplished, what you present has an impact on how we get treated in this country and how the world should work.\u201d<\/p>\n<hr \/>\n<p><em>Help Wonderland keep producing our great coverage of local arts, cultures and activisms (and our great festivals) by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fashe.gordon%2Fvideos%2F649519572067%2F&amp;show_text=0&amp;width=267\" width=\"267\" height=\"476\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>A Haven For Black Artists<\/strong><\/p>\n<p>The African American Master Artists In Residence Program began with the artist, teacher and activist <a href=\"https:\/\/getalivinglegend.com\/co-founder-creator-aamarp-life-transforming-program-black-artists\/\" target=\"_blank\" rel=\"noopener\">Dana Chandler<\/a>. During the 1960s and \u201870s, he was known around Boston for his art celebrating black Americans and challenging racism. He also challenged the de facto white-artists-only segregation of Boston area museums like the Museum of Fine Arts, the Institute of Contemporary Art, and Brandeis\u2019s Rose Art Museum. He pushed them to exhibit art by living African-American artists.<\/p>\n<p>When Chandler\u2019s personal studio in Boston\u2019s South End was ransacked and the building then burned in 1973, Northeastern came to his aid by bringing him in to be an artist-in-residence at the school\u2019s new African American Studies program in return for teaching a course at the school.<\/p>\n<p>Chandler soon convinced Northeastern to give him larger space, in an old factory at 11 Leon St. in Roxbury that the school owned. He moved in in 1974 and turned it into a mammoth studio (around 32,000 square feet) and event space, hosting parties for the MFA and a conference of African American artists. The space was so large that in November 1978, Chandler and Northeastern opened the space up to other black artists as part of the launch of the African American Master Artists In Residence Program. Ten large studios were offered \u201cto provide a living focus for the international third world and world community around the diverse dynamics of African-American aesthetics,\u201d organizers said at the time.<\/p>\n<p>The initial roster of artists (not all of them occupied studios at Northeastern, as some preferred to keep the studios they already had) included Ellen Banks, Calvin Burnett, Dana Chandler, Milton (Johnson) Derr, Tyrone Geter, Arnold Hurley, Reggie Jackson, Stanley Pickney, James Reed, Rudolph Robinson, Barbara Ward, John Wilson, and Theresa Young.<\/p>\n<p>It was a landmark project in its recognition of black artists, in the amount of space offered, in the length of the residencies (three years to start, but many allowed to stay much longer; some current resident artists have been there decades), and it was \u201crent-free\u201d (which continues to this day, artists say). \u201cThus enabling the artists to produce works at a level of intensity none has ever been able to attain,\u201d organizers wrote in the late 1970s.<\/p>\n<p>Chandler served as the director until the 1990s. Amid budget cuts, \u201cin 1991, they pushed my amount of time to work as director to one day a week and in 1993 they fired me,\u201d Chandler tells me. He says he maintained a studio there until 2004, when he relocated from Boston to New Mexico.<\/p>\n<p>Over the years, the program moved from Leon Street to a Huntington Avenue building, then back to Leon Street, and in recent years at 76 Atherton St.<\/p>\n<p>Current artists participating in the African American Master Artists In Residence Program reached out to Chandler when Northeastern told them last week that they\u2019d have to move out. He says, \u201cI wasn\u2019t at all surprised because they were doing exactly what I expected them to do. And they\u2019re doing it the way they always do. They make it a fait accompli and tell you what they\u2019re going to do.\u201d<\/p>\n<p>\u201cI think that they have done with us. They\u2019re following the pattern of things across the country if it has to do with black people. They\u2019re ending stuff. They\u2019re acting like a lot of people of your persuasion. They have no use for us,\u201d Chandler says. \u201cThere are no substantial uncorrectable problems with that building. They don\u2019t want this program there because it occupies what they see as useable space.\u201d<\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Ftitojacksonboston%2Fvideos%2F10156873911993287%2F&amp;show_text=0&amp;width=267\" width=\"267\" height=\"476\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Locked Out?<\/strong><\/p>\n<p>After receiving the June 28 letter from Cimilluca, artists participating in the African American Master Artists In Residence Program were under the impression that they could come to the building Sunday morning to get new keys.<\/p>\n<p>\u201cThe locksmith was there. He changed the core,\u201d Frazier says. \u201cWe were supposed to be issued keys after we showed our IDs. We were not.\u201d<\/p>\n<p>\u201cThey were basically locking us out,\u201d West said. \u201c\u2026They had changed the locks and did it right in front of us. \u2026 They did change the lock on the front door, which meant we were locked out.\u201d<\/p>\n<p>School officials, Frazier says, \u201cdid not suggest we could return\u201d after the building renovations or offer an alternative location for the studios.<\/p>\n<p><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/36561756_10217156096598342_8412998659712483328_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8003\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/36561756_10217156096598342_8412998659712483328_n.jpg\" alt=\"\" width=\"529\" height=\"442\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/36561756_10217156096598342_8412998659712483328_n.jpg 529w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/36561756_10217156096598342_8412998659712483328_n-300x251.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/07\/36561756_10217156096598342_8412998659712483328_n-370x309.jpg 370w\" sizes=\"(max-width: 529px) 100vw, 529px\" \/><\/a>Northeastern spokesperson Nyul emails me: \u201caccess to the artist space has never been revoked. At no point was anyone locked out of the building. The building is not zoned for overnight occupancy. Per our letter to AAMARP program leadership, starting July 1, access is available from 8 am to 6 pm until the space can be cleared and significant work can begin to repair the damage and eliminate the hazardous conditions that have been putting people&#8217;s safety at risk. The new keys were available today to artists who have studio space in the building. We are going to discuss the future of the program this week with [program director] Gloretta Baynes.\u201d<\/p>\n<p>Cimilluca brought keys Monday morning, artists say. \u201cShe couldn\u2019t answer a lot of our questions,\u201d West says. The school is saying \u201cwe\u2019re trying to repair the buildings in various ways and we want to protect your works. That\u2019s just jive. \u2026 There\u2019s another agenda here and we don\u2019t know what it is.\u201d<\/p>\n<p>Cimilluca\u2019s letter says Northeastern has \u201cexpressed to you over the past few years\u201d the school\u2019s safety and security concerns. \u201cDue to these hazardous conditions and the need for the university to secure the premises, we are advising you that the occupants must vacate the building and take any personal items with them.\u201d<\/p>\n<p>About a dozen artists in the program have studios on the four-story building\u2019s two top floors. The building is also home to additional studios, not part of the program, and storage for the school\u2019s campus bookshop, artists say.<\/p>\n<p>\u201cThe fact that they have not advised any other occupants of the building to vacate helps me understand that we are being targeted,\u201d Frazier says.<\/p>\n<p>Cimiluca writes: \u201cWe understand that this news may disappoint you and others, but given the deteriorated condition of the building, and the derelict way that some of the users\/occupants have abused the space, we have no alternative to the planned approach.\u201d<\/p>\n<p>\u201cWe were sent a letter by the vice president of facilities of the university that we were going to be evicted from the building in two weeks, July 13. They listed a number of supposed violations of the building and the upkeep, and painted a very negative picture of us,\u201d West says. \u201c\u2026Part of what they\u2019re saying is we\u2019re not taking care of the building properly, when in fact they\u2019re responsible for taking care of the building and have not done so.\u201d<\/p>\n<p>The letter from Cimilluca concludes, \u201cThe current AAMARP program has operated independently of the university for over a decade; separately from the safety issues with the building, the Deans of the Colleges of Social Sciences and Humanities, and Arts, Media and Design, will evaluate the potential of a new relationship with AAMARP.\u201d<\/p>\n<p>Frazier says, \u201cShe wrote that we are independent. We are not. We are part and parcel of the university\u2019s Department of African American Studies.\u201d<\/p>\n<p>\u201cThe thing that still hangs over our head is the July 13 eviction notice,\u201d West says.<\/p>\n<p>\u201cYou can\u2019t get a program that\u2019s been ensconced for 40 years out in two weeks. It\u2019s absolutely ridiculous,\u201d West says. \u201c\u2026If they want us out of the building, let\u2019s sit down and be civil. \u2026 Fundamentally, we want AAMARP to live on however we go forward.\u201d<\/p>\n<hr \/>\n<p><em>Help Wonderland keep producing our great coverage of local arts, cultures and activisms (and our great festivals) by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>Artists involved in the African American Master Artists In Residence Program at Northeastern University charge that on Sunday the Boston school locked artists out of the building the four-decade program has long occupied in Jamaica Plain, and is trying to push the artists out of the place. On June 28, Maria Cimilluca, a Northeastern vice [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8001,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[408,265,264,37,207],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/8000"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=8000"}],"version-history":[{"count":13,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/8000\/revisions"}],"predecessor-version":[{"id":8016,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/8000\/revisions\/8016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/8001"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=8000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=8000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=8000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}