\n
![\"Marie](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picWomenArtistsParisBashkirtseva_In-the-Studiow-1024x838.jpg\")
<\/a>\u201cWomen Artists in Paris, 1850\u20131900\u201d<\/a> at Clark Art Institute, Williamstown, June 9 to Sept. 3<\/h4>\nAt the end of the 19th century, Paris was at the vanguard of Western art, but it was still rife with misogyny. This exhibit highlights women who worked or studied there at the time, including Mary Cassatt, Berthe Morisot and Rosa Bonheur.<\/p>\n
\n![\"Paintings](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/BrownGroup2018w-1024x455.jpg\")
<\/a>Paintings by (from left) Elise Ansel, Duane Slick and Nicole Duennebier. (Courtesy Brown University)<\/figcaption><\/figure>\n\u201cPushing Painting\u201d<\/a> at Brown University\u2019s Bell Gallery, Providence, June 9 to July 8<\/h3>\nA showcase of recent painting by New England artists Elise Ansel, Nicole Duennebier and Duane Slick.<\/del><\/p>\n
\n![\"Cabaret](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picIronCabaret-Signw-1024x772.jpg\")
<\/a><\/p>\nCabaret Sign, \u201cBat,\u201d France, possibly 19th century, modified in the 20th century. Wrought iron and rolled iron, carved and embossed, green glass,<\/p>\n
\u201cThe Art of Iron\u201d<\/a> at Clark Art Institute, Williamstown, June 9 to Sept. 16<\/h3>\nAs Paris began \u201cmodernizing\u201d in the mid 19th century, beautiful ironwork locks, keys, balcony grilles, and signs were literally discarded on the trash pile of history. Photographer and painter Jean-Louis Henri Le Secq Destournelles (1818\u20131882) and his son Henri Le Secq des Tournelles (1854\u20131925) collected these architectural artworks and in 1920 donated them to the city of Rouen, in Normandy, France, creating a museum of historical wrought iron. The exhibit features 36 works from the collection.<\/p>\n
\n![\"Maxfield](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picParrishLanternBearersw-813x1024.jpg\")
<\/a>Maxfield Parrish, \u201cThe Lantern Bearers,\u201d 1908, oil on canvas. (Crystal Bridges Museum of American Art, Bentonville, Arkansas)<\/figcaption><\/figure>\n\u201cKeepers of the Flame: Parrish, Wyeth, Rockwell\u201d<\/a> at Norman Rockwell Museum, Stockbridge, June 9 to Oct. 28<\/h3>\nTracing the lineage of narrative realism in painting from American illustrators Maxfield Parrish, N.C. Wyeth, and Norman Rockwell to teachers and inspirations Howard Pyle, Thomas Eakins, Jean Leon Gerome, William Bouguereau and other Western experts.<\/p>\n
\n![\"Farnese](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picFarneseSarcophagusGardnerw-1024x697.jpg\")
<\/a>Farnese Sarcophagus. (Gardner Museum)<\/figcaption><\/figure>\n\u201cLife, Death & Revelry\u201d<\/a> at Isabella Stewart Gardner Museum, Boston, June 14 to Sept. 3<\/h3>\nFor a century, the museum\u2019s Farnese Sarcophagus\u2014carved with cavorting satyrs and maenads\u2014has been wedged between columns in the Palace courtyard. This exhibition allows visitors to view two-millennia-old artwork from all sides\u2014as well as presenting new research by conservators about its history.<\/p>\n
\n![\"Cristi](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picRinklinAscension_Expulsionw-677x1024.jpg\")
<\/a>Cristi Rinklin, Ascension\/Expulsion, 2011, From the series \u201cParacosmos,\u201d oil and acrylic on aluminum.<\/figcaption><\/figure>\nCristi Rinklin \u201cParamnsiac\u201d<\/a> at Newport Art Museum, Rhode Island, June 15 to Sept. 2<\/h3>\nThe Boston painter mashes up landscape paintings from art history, Google images, collected photographs, virtual reality, and her own photographs made with the use of a drone to create billowing fantasies that prompt contemplation of the nature of realist art.<\/p>\n
\n![\"Art](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picCurrierBeyondWords2018-1024x446.jpg\")
<\/a>Art by (from left) David M. Carroll, Tomie dePaola, and Beth Krommes. (Currier Museum of Art)<\/figcaption><\/figure>\n\u201cBeyond Words\u201d<\/a> at Currier Museum of Art, Manchester, New Hampshire, June 16 to Sept. 9<\/h3>\nOriginal artwork and process drawings from celebrated New Hampshire book illustrators David Carroll, Tomie dePaola, and Beth Krommes.<\/p>\n
\n![\"Clarence](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picClarenceWhiteTheSea1909aw-775x1024.jpg\")
<\/a>Clarence H. White \u201cThe Sea [Rose Pastor Stokes, Caritas Islands, Connecticut],\u201d 1909, platinum print. (The Clarence H. White Archive, Princeton University )<\/figcaption><\/figure>\n\u201cClarence H. White and His World: The Art and Craft of Photography, 1895\u20131925\u201d<\/a> at Portland Museum of Art, Maine, June 22 to Sept. 16<\/h3>\nMore than 100 prints, albums, and illustrated books by Clarence H. White (1871\u20131925), one of the pioneers of pictorialist photography, an early 20th century style that aimed aimed to increase photography\u2019s stature by tackling fine art subjects. In White\u2019s case that meant dreamy scenes of women wandering the great outdoors or gazing out windows.<\/p>\n
\n![\""The](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/The-Bober-Annunciationw-1024x754.jpg\")
<\/a>“The Bober Annunciation,” Greek, Macedonia, 1680, tempera on wood. (Courtesy Museum of Russian Icons)<\/figcaption><\/figure>\n\u201cIcons of the Hellenic World\u201d<\/a> at Museum of Russian Icons, Clinton, Massachusetts, June 22 to Oct. 21<\/h3>\nA survey of Greek and Byzantine Christian icon painting drawn from the collection of the Athens-born Emmanuel Tiliakos. Artworks range from a two-millennial-old portrait from Egypt to paintings by Cretan artists active in the Ionian Islands after the Ottoman Turns overran Crete in 1667.<\/p>\n
\n![\"Winslow](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/HomerWithGulfStreamw-1024x738.jpg\")
<\/a>Winslow Homer with \u201cThe Gulf Stream\u201d in his Studio, ca. 1900, gelatin silver print, by an unidentified photographer. (Bowdoin College Museum of Art, Brunswick, Maine)<\/figcaption><\/figure>\n\u201cWinslow Homer and the Camera: Photography and the Art of Painting\u201d<\/a> at Bowdoin College Museum of Art, Brunswick, Maine, June 23 to Oct. 28<\/h3>\nThe exhibition looks at how photography influenced the painting of the Maine master Winslow Homer (1836-1910).<\/p>\n
\n![\"Neil](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picSpaceNeilArmstrongHelmet-glovesw-1024x467.jpg\")
<\/a>Neil Armstrong\u2019s gloves and helmet from the Apollo 11 moon mission. (Museum of Science, Boston)<\/figcaption><\/figure>\n\u201cSpace: An Out-of-Gravity Experience\u201d<\/a> at Boston\u2019s Museum of Science, opens June 23<\/h3>\nConsider the sensations and engineering of space flight in this exhibit. See artifacts like Neil Armstrong\u2019s gloves and helmet from the historic 1969 Apollo 11 moon landing and explore what it\u2019s like to operate a robotic arm, manage a limited power supply, or do things while wearing a bulky space glove.<\/p>\n
\n![\"Jan](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picWWAR_JanVanRaay-1024x921.jpg\")
<\/a>Jan van Raay, \u201cFaith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum,\u201d 1971. (\u00a9 Jan van Raay)<\/figcaption><\/figure>\n\u201cWe Wanted a Revolution: Black Radical Women, 1965\u201385\u201d<\/a> at Boston\u2019s Institute of Contemporary Art, June 27 to Sept. 30<\/h3>\nOrganized by the Brooklyn Museum, this exhibit explores the painting, performance, video art and activism of women of color during the emergence of second-wave feminism\u2014including Howardena Pindell, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems.<\/p>\n
\n![\"Shapiro](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picTed-Shawn_s-Men-Dancers-in-Dance-of-the-Agesw-1024x808.jpg\")
<\/a>Shapiro Studios, \u201cTed Shawn\u2019s Men Dancers in \u2018Dance of the Ages,\u2019\u201d 1938. (Courtesy of Jacob\u2019s Pillow Dance Festival Archives)<\/figcaption><\/figure>\n\u201cDance We Must: Treasures from Jacob\u2019s Pillow, 1906-1940\u201d<\/a> at Williams College Museum of Art, Williamstown, June 29 to Nov. 11<\/h3>\nA look at how Ruth St. Denis and Ted Shawn pioneered modern American dance in the early 20th century by founding Denishawn, a dance school and performing company in 1915, moving away from ballet and taking inspiration from theosophy, the occult, Orientalism, Buddhism and Hinduism\u2014with all the cultural imperialism that implied. After separating from St. Denis in 1930, Shawn purchased a rundown farm in the Berkshires known as Jacob\u2019s Pillow, where he highlighted masculinity and queerness in his company of Men Dancers and developed the now internationally-renowned dance festival.<\/p>\n
\n![\"Sally](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picSallyMann-1024x845.jpg\")
<\/a>Sally Mann \u201cEaster Dress,\u201d1986, gelatin silver print. (\u00a9 Sally Mann)<\/figcaption><\/figure>\n\u201cSally Mann: A Thousand Crossings\u201d<\/a> at Peabody Essex Museum, Salem, June 30 to Sept. 23<\/h3>\nMore than 40 years of curious, intimate, haunting Southern gothic photography by the Virginia artist whose subjects have ranged from her own young children to young women to decaying bodies to Civil War battlefields to how muscular dystrophy transformed her husband\u2019s body.<\/p>\n
\n![\"Louis](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/Worcester-Art-Museum_1978.99.1_Tiffany_detail_AFTERTREAT_v1_currentw-1024x948.jpg\")
<\/a>Louis C. Tiffany, \u201cResurrection (detail),\u201d 1899, stained glass window. (Worcester Art Museum)<\/figcaption><\/figure>\n\u201cRadiance Rediscovered: Stained Glass by Tiffany and La Farge”<\/a> at the Worcester Art Museum, June 30, 2018, to July 7, 2019<\/h3>\nAn angel roams a field of lilies in an 1899 stained glass window that Louis C. Tiffany designed for Boston’s Mount Vernon Congregational Church. It\u2019s one of the highlights of this exhibit exploring stained glass from American Gilded Age\u2014including John La Farge’s experimental Peacock Window (1892\u20131908) and an 1898 La Farge window (joining the exhibition in September) from the same Boston church depicting an angel stirring the healing waters of a pool.<\/p>\n
\n![\"John](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/Bisbee_AmerSteel_edited-header-imagew-1024x683.jpg\")
<\/a>John Bisbee \u201cAmerican Steel.” (Center for Maine Contemporary Art)<\/figcaption><\/figure>\nJohn Bisbee \u201cAmerican Steel\u201d<\/a> at Center for Maine Contemporary Art, Brunswick, June 30 to Oct. 14<\/h3>\nThe Brunswick artist has devoted his career to hand-sculpting forged and welded nails into columns and cones, rings and dandelion balls. In this new exhibit, his first solo show in nearly a decade, Bisbee fashions the large nails into a bathtub and oars, into arrows and chains, to create a \u201cpoetic language, narrative imagery, and potent emblems to express his concern with our country\u2019s direction.\u201d<\/p>\n
\n![\"Nam](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picPaik_Nomad-Suitcase-2004_2017.151w-1024x921.jpg\")
<\/a>Nam June Paik, \u201cNomad Suitcase,\u201d 2004. (Courtesy of Nam June Paik Estate)<\/figcaption><\/figure>\n\u201cNam June Paik: Screen Play\u201d<\/a> at Harvard Art Museums, Cambridge, June 30 to Aug. 5<\/h3>\nThe Korean-born, American-based artist (1932\u20132006) was part of a group of post World War II artists who explored avant-garde music and new technologies. His artworks were by turns witty and philosophical, such as a television he modified in 1965 to visualize sound waves on its screen.<\/p>\n
\n![\"Diana](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picThater_027w-1024x451.jpg\")
<\/a>Diana Thater, \u201cDelphine,\u201d 1999, at Los Angeles County Museum of Art in 2016. (\u00a9 Diana Thater, photo \u00a9 Fredrik Nilsen)<\/figcaption><\/figure>\nDiana Thater<\/a> at Institute of Contemporary Art Watershead, East Boston, July 4 to Oct. 8<\/h3>\nThe ICA debuts its new raw, industrial East Boston hall with two works by Los Angeles artist Diana Thater, including underwater film and video footage of swimming dolphins that will spill across the floor, ceiling and walls.<\/p>\n
\n![\"Yayoi](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picKusamaWhere-the-Lights-in-My-Heart-Go_2016-b-1024x684.jpg\")
<\/a>Yayoi Kusama \u201cWhere the Lights in My Heart Go,\u201d 2016, mirror polished stainless steel with glass mirror. (Courtesy deCordova Sculpture Park and Museum)<\/figcaption><\/figure>\n\u201cYayoi Kusama: Where the Lights in My Heart Go\u201d<\/a> at deCordova Sculpture Park and Museum, Lincoln, Massachusetts, July 5 to Oct. 28<\/h3>\nFor the first time one of the Japanese artist\u2019s dazzling \u201cInfinity Mirror Rooms\u201d will be exhibited in the Boston area. Installed outdoors, small holes in the walls and ceiling of this 10-by-10-foot polished stainless steel box allow natural light in to bounce around the mirrored interior to \u201ccreate the dizzying effect of an expansive, never-ending space.\u201d<\/p>\n
\n![\"Harrison](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picCady0317-1024x691.jpg\")
<\/a>Harrison Cady (Cape Ann Museum)<\/figcaption><\/figure>\n\u201cHarrison Cady: View from the Headlands\u201d<\/a> at Cape Ann Museum, Gloucester, July 7 to Oct. 28<\/h3>\nA survey of the art of Harrison Cady (1877\u20131970), from his illustrations of Beatrix Potter\u2019s Peter Rabbit beginning in 1910 to the landscape paintings he made while summering in Rockport beginning around the 1920s.<\/p>\n
\n![\"Francois](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picCassanovaBoucherVenus-at-Vulcans-Forgew-754x1024.jpg\")
<\/a>Francois Boucher \u201cVenus at Vulcan’s Forge,\u201d 1769, oil on canvas. (Courtesy, Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n\u201cCasanova\u2019s Europe: Art, Pleasure, and Power in the 18th Century\u201d<\/a> at Museum of Fine Arts, Boston, July 8 to Oct. 8<\/h3>\nMore than 250 paintings ranging from Fran\u00e7ois Boucher to Tiepolo, sculptures, decorative arts, furniture, costumes, and musical instruments are brought together for \u201ca lavish display of the visual riches of Casanova\u2019s world.\u201d Giacomo Casanova (1725\u20131798) has come to be synonymous with womanizer or scoundrel, but in his roles as entrepreneur, darling of royals, spy, and translator of the \u201cIliad,\u201d he was seen by contemporaries as a magnetic personality and an international man of letters as he palled around with royalty, popes and intellectuals such as Voltaire and Benjamin Franklin. This exhibit taps into his adventures to reveal \u201ca refined and visually seductive culture on the cusp of modernity.\u201d<\/p>\n
\n![\"Ashley](\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2018\/06\/picAshleyBryanBirdsColorsC2002.jpg\")
<\/a>Ashley Bryan, The birds’ colors were mirrored in the waters,” circa 2002, from “Beautiful Blackbird,” collage of cut colored paper on paper. (The Eric Carle Museum of Picture Book Art, Amherst, Massachusetts)<\/figcaption><\/figure>\n\u201cPainter and Poet: The Art of Ashley Bryan\u201d<\/a> at Portland Museum of Art, Maine, Aug. 3 to Nov. 25<\/h3>\nSince his first illustrated volume of poems in 1967, the Maine artist has spent his career creating more than 50 books about African and African American experiences. This exhibition showcases original art from 13 titles and a selection of other art, including sketches made while serving in World War II and large puppets made from objects that he has found washed ashore on Isleford, the Maine island where he has lived for more than 60 years.<\/p>\n
\n\u201cEmpresses of China\u2019s Forbidden City\u201d <\/a>at Peabody Essex Museum, Salem, Aug. 18 to Feb. 10<\/h3>\nLearn how empresses shaped the politics, art and religion of China\u2019s last dynasty\u2014the Qing dynasty\u2014from 1644 to 1912 via nearly 200 objects from the Palace Museum.<\/p>\n
\nHelp Wonderland keep producing our great coverage of local arts, cultures and activisms (and our great festivals) by contributing to Wonderland on Patreon<\/a>. And sign up for our free, weekly newsletter<\/a> so that you don’t miss any of our reporting.<\/em><\/p>\n
\n","protected":false},"excerpt":{"rendered":"WONDERLAND\u2019s guide to art exhibitions to check out this summer, from Yayoi Kusama\u2019s “Infinity Mirror Room” to Black Radical Women, from Neil Armstrong\u2019s Space Gloves to Sally Mann\u2019s Southern Gothic. The lineup is star studded, including Ashley Bryan, Mary Cassatt, Winslow Homer, Nam June Paik, Maxfield Parrish, Faith Ringgold, Norman Rockwell, Betye Saaf and Louis […]<\/p>\n","protected":false},"author":1,"featured_media":7652,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=7630"}],"version-history":[{"count":22,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions"}],"predecessor-version":[{"id":7689,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions\/7689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/7652"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=7630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=7630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=7630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a>\u201cPushing Painting\u201d<\/a> at Brown University\u2019s Bell Gallery, Providence, June 9 to July 8<\/h3>\nA showcase of recent painting by New England artists Elise Ansel, Nicole Duennebier and Duane Slick.<\/del><\/p>\n
\n<\/a><\/p>\nCabaret Sign, \u201cBat,\u201d France, possibly 19th century, modified in the 20th century. Wrought iron and rolled iron, carved and embossed, green glass,<\/p>\n
\u201cThe Art of Iron\u201d<\/a> at Clark Art Institute, Williamstown, June 9 to Sept. 16<\/h3>\nAs Paris began \u201cmodernizing\u201d in the mid 19th century, beautiful ironwork locks, keys, balcony grilles, and signs were literally discarded on the trash pile of history. Photographer and painter Jean-Louis Henri Le Secq Destournelles (1818\u20131882) and his son Henri Le Secq des Tournelles (1854\u20131925) collected these architectural artworks and in 1920 donated them to the city of Rouen, in Normandy, France, creating a museum of historical wrought iron. The exhibit features 36 works from the collection.<\/p>\n
\n<\/a>Maxfield Parrish, \u201cThe Lantern Bearers,\u201d 1908, oil on canvas. (Crystal Bridges Museum of American Art, Bentonville, Arkansas)<\/figcaption><\/figure>\n\u201cKeepers of the Flame: Parrish, Wyeth, Rockwell\u201d<\/a> at Norman Rockwell Museum, Stockbridge, June 9 to Oct. 28<\/h3>\nTracing the lineage of narrative realism in painting from American illustrators Maxfield Parrish, N.C. Wyeth, and Norman Rockwell to teachers and inspirations Howard Pyle, Thomas Eakins, Jean Leon Gerome, William Bouguereau and other Western experts.<\/p>\n
\n<\/a>Farnese Sarcophagus. (Gardner Museum)<\/figcaption><\/figure>\n\u201cLife, Death & Revelry\u201d<\/a> at Isabella Stewart Gardner Museum, Boston, June 14 to Sept. 3<\/h3>\nFor a century, the museum\u2019s Farnese Sarcophagus\u2014carved with cavorting satyrs and maenads\u2014has been wedged between columns in the Palace courtyard. This exhibition allows visitors to view two-millennia-old artwork from all sides\u2014as well as presenting new research by conservators about its history.<\/p>\n
\n<\/a>Cristi Rinklin, Ascension\/Expulsion, 2011, From the series \u201cParacosmos,\u201d oil and acrylic on aluminum.<\/figcaption><\/figure>\nCristi Rinklin \u201cParamnsiac\u201d<\/a> at Newport Art Museum, Rhode Island, June 15 to Sept. 2<\/h3>\nThe Boston painter mashes up landscape paintings from art history, Google images, collected photographs, virtual reality, and her own photographs made with the use of a drone to create billowing fantasies that prompt contemplation of the nature of realist art.<\/p>\n
\n<\/a>Art by (from left) David M. Carroll, Tomie dePaola, and Beth Krommes. (Currier Museum of Art)<\/figcaption><\/figure>\n\u201cBeyond Words\u201d<\/a> at Currier Museum of Art, Manchester, New Hampshire, June 16 to Sept. 9<\/h3>\nOriginal artwork and process drawings from celebrated New Hampshire book illustrators David Carroll, Tomie dePaola, and Beth Krommes.<\/p>\n
\n<\/a>Clarence H. White \u201cThe Sea [Rose Pastor Stokes, Caritas Islands, Connecticut],\u201d 1909, platinum print. (The Clarence H. White Archive, Princeton University )<\/figcaption><\/figure>\n\u201cClarence H. White and His World: The Art and Craft of Photography, 1895\u20131925\u201d<\/a> at Portland Museum of Art, Maine, June 22 to Sept. 16<\/h3>\nMore than 100 prints, albums, and illustrated books by Clarence H. White (1871\u20131925), one of the pioneers of pictorialist photography, an early 20th century style that aimed aimed to increase photography\u2019s stature by tackling fine art subjects. In White\u2019s case that meant dreamy scenes of women wandering the great outdoors or gazing out windows.<\/p>\n
\n<\/a>“The Bober Annunciation,” Greek, Macedonia, 1680, tempera on wood. (Courtesy Museum of Russian Icons)<\/figcaption><\/figure>\n\u201cIcons of the Hellenic World\u201d<\/a> at Museum of Russian Icons, Clinton, Massachusetts, June 22 to Oct. 21<\/h3>\nA survey of Greek and Byzantine Christian icon painting drawn from the collection of the Athens-born Emmanuel Tiliakos. Artworks range from a two-millennial-old portrait from Egypt to paintings by Cretan artists active in the Ionian Islands after the Ottoman Turns overran Crete in 1667.<\/p>\n
\n<\/a>Winslow Homer with \u201cThe Gulf Stream\u201d in his Studio, ca. 1900, gelatin silver print, by an unidentified photographer. (Bowdoin College Museum of Art, Brunswick, Maine)<\/figcaption><\/figure>\n\u201cWinslow Homer and the Camera: Photography and the Art of Painting\u201d<\/a> at Bowdoin College Museum of Art, Brunswick, Maine, June 23 to Oct. 28<\/h3>\nThe exhibition looks at how photography influenced the painting of the Maine master Winslow Homer (1836-1910).<\/p>\n
\n<\/a>Neil Armstrong\u2019s gloves and helmet from the Apollo 11 moon mission. (Museum of Science, Boston)<\/figcaption><\/figure>\n\u201cSpace: An Out-of-Gravity Experience\u201d<\/a> at Boston\u2019s Museum of Science, opens June 23<\/h3>\nConsider the sensations and engineering of space flight in this exhibit. See artifacts like Neil Armstrong\u2019s gloves and helmet from the historic 1969 Apollo 11 moon landing and explore what it\u2019s like to operate a robotic arm, manage a limited power supply, or do things while wearing a bulky space glove.<\/p>\n
\n<\/a>Jan van Raay, \u201cFaith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum,\u201d 1971. (\u00a9 Jan van Raay)<\/figcaption><\/figure>\n\u201cWe Wanted a Revolution: Black Radical Women, 1965\u201385\u201d<\/a> at Boston\u2019s Institute of Contemporary Art, June 27 to Sept. 30<\/h3>\nOrganized by the Brooklyn Museum, this exhibit explores the painting, performance, video art and activism of women of color during the emergence of second-wave feminism\u2014including Howardena Pindell, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems.<\/p>\n
\n<\/a>Shapiro Studios, \u201cTed Shawn\u2019s Men Dancers in \u2018Dance of the Ages,\u2019\u201d 1938. (Courtesy of Jacob\u2019s Pillow Dance Festival Archives)<\/figcaption><\/figure>\n\u201cDance We Must: Treasures from Jacob\u2019s Pillow, 1906-1940\u201d<\/a> at Williams College Museum of Art, Williamstown, June 29 to Nov. 11<\/h3>\nA look at how Ruth St. Denis and Ted Shawn pioneered modern American dance in the early 20th century by founding Denishawn, a dance school and performing company in 1915, moving away from ballet and taking inspiration from theosophy, the occult, Orientalism, Buddhism and Hinduism\u2014with all the cultural imperialism that implied. After separating from St. Denis in 1930, Shawn purchased a rundown farm in the Berkshires known as Jacob\u2019s Pillow, where he highlighted masculinity and queerness in his company of Men Dancers and developed the now internationally-renowned dance festival.<\/p>\n
\n<\/a>Sally Mann \u201cEaster Dress,\u201d1986, gelatin silver print. (\u00a9 Sally Mann)<\/figcaption><\/figure>\n\u201cSally Mann: A Thousand Crossings\u201d<\/a> at Peabody Essex Museum, Salem, June 30 to Sept. 23<\/h3>\nMore than 40 years of curious, intimate, haunting Southern gothic photography by the Virginia artist whose subjects have ranged from her own young children to young women to decaying bodies to Civil War battlefields to how muscular dystrophy transformed her husband\u2019s body.<\/p>\n
\n<\/a>Louis C. Tiffany, \u201cResurrection (detail),\u201d 1899, stained glass window. (Worcester Art Museum)<\/figcaption><\/figure>\n\u201cRadiance Rediscovered: Stained Glass by Tiffany and La Farge”<\/a> at the Worcester Art Museum, June 30, 2018, to July 7, 2019<\/h3>\nAn angel roams a field of lilies in an 1899 stained glass window that Louis C. Tiffany designed for Boston’s Mount Vernon Congregational Church. It\u2019s one of the highlights of this exhibit exploring stained glass from American Gilded Age\u2014including John La Farge’s experimental Peacock Window (1892\u20131908) and an 1898 La Farge window (joining the exhibition in September) from the same Boston church depicting an angel stirring the healing waters of a pool.<\/p>\n
\n<\/a>John Bisbee \u201cAmerican Steel.” (Center for Maine Contemporary Art)<\/figcaption><\/figure>\nJohn Bisbee \u201cAmerican Steel\u201d<\/a> at Center for Maine Contemporary Art, Brunswick, June 30 to Oct. 14<\/h3>\nThe Brunswick artist has devoted his career to hand-sculpting forged and welded nails into columns and cones, rings and dandelion balls. In this new exhibit, his first solo show in nearly a decade, Bisbee fashions the large nails into a bathtub and oars, into arrows and chains, to create a \u201cpoetic language, narrative imagery, and potent emblems to express his concern with our country\u2019s direction.\u201d<\/p>\n
\n<\/a>Nam June Paik, \u201cNomad Suitcase,\u201d 2004. (Courtesy of Nam June Paik Estate)<\/figcaption><\/figure>\n\u201cNam June Paik: Screen Play\u201d<\/a> at Harvard Art Museums, Cambridge, June 30 to Aug. 5<\/h3>\nThe Korean-born, American-based artist (1932\u20132006) was part of a group of post World War II artists who explored avant-garde music and new technologies. His artworks were by turns witty and philosophical, such as a television he modified in 1965 to visualize sound waves on its screen.<\/p>\n
\n<\/a>Diana Thater, \u201cDelphine,\u201d 1999, at Los Angeles County Museum of Art in 2016. (\u00a9 Diana Thater, photo \u00a9 Fredrik Nilsen)<\/figcaption><\/figure>\nDiana Thater<\/a> at Institute of Contemporary Art Watershead, East Boston, July 4 to Oct. 8<\/h3>\nThe ICA debuts its new raw, industrial East Boston hall with two works by Los Angeles artist Diana Thater, including underwater film and video footage of swimming dolphins that will spill across the floor, ceiling and walls.<\/p>\n
\n<\/a>Yayoi Kusama \u201cWhere the Lights in My Heart Go,\u201d 2016, mirror polished stainless steel with glass mirror. (Courtesy deCordova Sculpture Park and Museum)<\/figcaption><\/figure>\n\u201cYayoi Kusama: Where the Lights in My Heart Go\u201d<\/a> at deCordova Sculpture Park and Museum, Lincoln, Massachusetts, July 5 to Oct. 28<\/h3>\nFor the first time one of the Japanese artist\u2019s dazzling \u201cInfinity Mirror Rooms\u201d will be exhibited in the Boston area. Installed outdoors, small holes in the walls and ceiling of this 10-by-10-foot polished stainless steel box allow natural light in to bounce around the mirrored interior to \u201ccreate the dizzying effect of an expansive, never-ending space.\u201d<\/p>\n
\n<\/a>Harrison Cady (Cape Ann Museum)<\/figcaption><\/figure>\n\u201cHarrison Cady: View from the Headlands\u201d<\/a> at Cape Ann Museum, Gloucester, July 7 to Oct. 28<\/h3>\nA survey of the art of Harrison Cady (1877\u20131970), from his illustrations of Beatrix Potter\u2019s Peter Rabbit beginning in 1910 to the landscape paintings he made while summering in Rockport beginning around the 1920s.<\/p>\n
\n<\/a>Francois Boucher \u201cVenus at Vulcan’s Forge,\u201d 1769, oil on canvas. (Courtesy, Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n\u201cCasanova\u2019s Europe: Art, Pleasure, and Power in the 18th Century\u201d<\/a> at Museum of Fine Arts, Boston, July 8 to Oct. 8<\/h3>\nMore than 250 paintings ranging from Fran\u00e7ois Boucher to Tiepolo, sculptures, decorative arts, furniture, costumes, and musical instruments are brought together for \u201ca lavish display of the visual riches of Casanova\u2019s world.\u201d Giacomo Casanova (1725\u20131798) has come to be synonymous with womanizer or scoundrel, but in his roles as entrepreneur, darling of royals, spy, and translator of the \u201cIliad,\u201d he was seen by contemporaries as a magnetic personality and an international man of letters as he palled around with royalty, popes and intellectuals such as Voltaire and Benjamin Franklin. This exhibit taps into his adventures to reveal \u201ca refined and visually seductive culture on the cusp of modernity.\u201d<\/p>\n
\n<\/a>Ashley Bryan, The birds’ colors were mirrored in the waters,” circa 2002, from “Beautiful Blackbird,” collage of cut colored paper on paper. (The Eric Carle Museum of Picture Book Art, Amherst, Massachusetts)<\/figcaption><\/figure>\n\u201cPainter and Poet: The Art of Ashley Bryan\u201d<\/a> at Portland Museum of Art, Maine, Aug. 3 to Nov. 25<\/h3>\nSince his first illustrated volume of poems in 1967, the Maine artist has spent his career creating more than 50 books about African and African American experiences. This exhibition showcases original art from 13 titles and a selection of other art, including sketches made while serving in World War II and large puppets made from objects that he has found washed ashore on Isleford, the Maine island where he has lived for more than 60 years.<\/p>\n
\n\u201cEmpresses of China\u2019s Forbidden City\u201d <\/a>at Peabody Essex Museum, Salem, Aug. 18 to Feb. 10<\/h3>\nLearn how empresses shaped the politics, art and religion of China\u2019s last dynasty\u2014the Qing dynasty\u2014from 1644 to 1912 via nearly 200 objects from the Palace Museum.<\/p>\n
\nHelp Wonderland keep producing our great coverage of local arts, cultures and activisms (and our great festivals) by contributing to Wonderland on Patreon<\/a>. And sign up for our free, weekly newsletter<\/a> so that you don’t miss any of our reporting.<\/em><\/p>\n
\n","protected":false},"excerpt":{"rendered":"WONDERLAND\u2019s guide to art exhibitions to check out this summer, from Yayoi Kusama\u2019s “Infinity Mirror Room” to Black Radical Women, from Neil Armstrong\u2019s Space Gloves to Sally Mann\u2019s Southern Gothic. The lineup is star studded, including Ashley Bryan, Mary Cassatt, Winslow Homer, Nam June Paik, Maxfield Parrish, Faith Ringgold, Norman Rockwell, Betye Saaf and Louis […]<\/p>\n","protected":false},"author":1,"featured_media":7652,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=7630"}],"version-history":[{"count":22,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions"}],"predecessor-version":[{"id":7689,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions\/7689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/7652"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=7630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=7630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=7630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n
Cabaret Sign, \u201cBat,\u201d France, possibly 19th century, modified in the 20th century. Wrought iron and rolled iron, carved and embossed, green glass,<\/p>\n As Paris began \u201cmodernizing\u201d in the mid 19th century, beautiful ironwork locks, keys, balcony grilles, and signs were literally discarded on the trash pile of history. Photographer and painter Jean-Louis Henri Le Secq Destournelles (1818\u20131882) and his son Henri Le Secq des Tournelles (1854\u20131925) collected these architectural artworks and in 1920 donated them to the city of Rouen, in Normandy, France, creating a museum of historical wrought iron. The exhibit features 36 works from the collection.<\/p>\n Tracing the lineage of narrative realism in painting from American illustrators Maxfield Parrish, N.C. Wyeth, and Norman Rockwell to teachers and inspirations Howard Pyle, Thomas Eakins, Jean Leon Gerome, William Bouguereau and other Western experts.<\/p>\n For a century, the museum\u2019s Farnese Sarcophagus\u2014carved with cavorting satyrs and maenads\u2014has been wedged between columns in the Palace courtyard. This exhibition allows visitors to view two-millennia-old artwork from all sides\u2014as well as presenting new research by conservators about its history.<\/p>\n The Boston painter mashes up landscape paintings from art history, Google images, collected photographs, virtual reality, and her own photographs made with the use of a drone to create billowing fantasies that prompt contemplation of the nature of realist art.<\/p>\n Original artwork and process drawings from celebrated New Hampshire book illustrators David Carroll, Tomie dePaola, and Beth Krommes.<\/p>\n More than 100 prints, albums, and illustrated books by Clarence H. White (1871\u20131925), one of the pioneers of pictorialist photography, an early 20th century style that aimed aimed to increase photography\u2019s stature by tackling fine art subjects. In White\u2019s case that meant dreamy scenes of women wandering the great outdoors or gazing out windows.<\/p>\n A survey of Greek and Byzantine Christian icon painting drawn from the collection of the Athens-born Emmanuel Tiliakos. Artworks range from a two-millennial-old portrait from Egypt to paintings by Cretan artists active in the Ionian Islands after the Ottoman Turns overran Crete in 1667.<\/p>\n The exhibition looks at how photography influenced the painting of the Maine master Winslow Homer (1836-1910).<\/p>\n Consider the sensations and engineering of space flight in this exhibit. See artifacts like Neil Armstrong\u2019s gloves and helmet from the historic 1969 Apollo 11 moon landing and explore what it\u2019s like to operate a robotic arm, manage a limited power supply, or do things while wearing a bulky space glove.<\/p>\n Organized by the Brooklyn Museum, this exhibit explores the painting, performance, video art and activism of women of color during the emergence of second-wave feminism\u2014including Howardena Pindell, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems.<\/p>\n A look at how Ruth St. Denis and Ted Shawn pioneered modern American dance in the early 20th century by founding Denishawn, a dance school and performing company in 1915, moving away from ballet and taking inspiration from theosophy, the occult, Orientalism, Buddhism and Hinduism\u2014with all the cultural imperialism that implied. After separating from St. Denis in 1930, Shawn purchased a rundown farm in the Berkshires known as Jacob\u2019s Pillow, where he highlighted masculinity and queerness in his company of Men Dancers and developed the now internationally-renowned dance festival.<\/p>\n More than 40 years of curious, intimate, haunting Southern gothic photography by the Virginia artist whose subjects have ranged from her own young children to young women to decaying bodies to Civil War battlefields to how muscular dystrophy transformed her husband\u2019s body.<\/p>\n An angel roams a field of lilies in an 1899 stained glass window that Louis C. Tiffany designed for Boston’s Mount Vernon Congregational Church. It\u2019s one of the highlights of this exhibit exploring stained glass from American Gilded Age\u2014including John La Farge’s experimental Peacock Window (1892\u20131908) and an 1898 La Farge window (joining the exhibition in September) from the same Boston church depicting an angel stirring the healing waters of a pool.<\/p>\n The Brunswick artist has devoted his career to hand-sculpting forged and welded nails into columns and cones, rings and dandelion balls. In this new exhibit, his first solo show in nearly a decade, Bisbee fashions the large nails into a bathtub and oars, into arrows and chains, to create a \u201cpoetic language, narrative imagery, and potent emblems to express his concern with our country\u2019s direction.\u201d<\/p>\n The Korean-born, American-based artist (1932\u20132006) was part of a group of post World War II artists who explored avant-garde music and new technologies. His artworks were by turns witty and philosophical, such as a television he modified in 1965 to visualize sound waves on its screen.<\/p>\n The ICA debuts its new raw, industrial East Boston hall with two works by Los Angeles artist Diana Thater, including underwater film and video footage of swimming dolphins that will spill across the floor, ceiling and walls.<\/p>\n For the first time one of the Japanese artist\u2019s dazzling \u201cInfinity Mirror Rooms\u201d will be exhibited in the Boston area. Installed outdoors, small holes in the walls and ceiling of this 10-by-10-foot polished stainless steel box allow natural light in to bounce around the mirrored interior to \u201ccreate the dizzying effect of an expansive, never-ending space.\u201d<\/p>\n A survey of the art of Harrison Cady (1877\u20131970), from his illustrations of Beatrix Potter\u2019s Peter Rabbit beginning in 1910 to the landscape paintings he made while summering in Rockport beginning around the 1920s.<\/p>\n More than 250 paintings ranging from Fran\u00e7ois Boucher to Tiepolo, sculptures, decorative arts, furniture, costumes, and musical instruments are brought together for \u201ca lavish display of the visual riches of Casanova\u2019s world.\u201d Giacomo Casanova (1725\u20131798) has come to be synonymous with womanizer or scoundrel, but in his roles as entrepreneur, darling of royals, spy, and translator of the \u201cIliad,\u201d he was seen by contemporaries as a magnetic personality and an international man of letters as he palled around with royalty, popes and intellectuals such as Voltaire and Benjamin Franklin. This exhibit taps into his adventures to reveal \u201ca refined and visually seductive culture on the cusp of modernity.\u201d<\/p>\n Since his first illustrated volume of poems in 1967, the Maine artist has spent his career creating more than 50 books about African and African American experiences. This exhibition showcases original art from 13 titles and a selection of other art, including sketches made while serving in World War II and large puppets made from objects that he has found washed ashore on Isleford, the Maine island where he has lived for more than 60 years.<\/p>\n Learn how empresses shaped the politics, art and religion of China\u2019s last dynasty\u2014the Qing dynasty\u2014from 1644 to 1912 via nearly 200 objects from the Palace Museum.<\/p>\n Help Wonderland keep producing our great coverage of local arts, cultures and activisms (and our great festivals) by contributing to Wonderland on Patreon<\/a>. And sign up for our free, weekly newsletter<\/a> so that you don’t miss any of our reporting.<\/em><\/p>\n WONDERLAND\u2019s guide to art exhibitions to check out this summer, from Yayoi Kusama\u2019s “Infinity Mirror Room” to Black Radical Women, from Neil Armstrong\u2019s Space Gloves to Sally Mann\u2019s Southern Gothic. The lineup is star studded, including Ashley Bryan, Mary Cassatt, Winslow Homer, Nam June Paik, Maxfield Parrish, Faith Ringgold, Norman Rockwell, Betye Saaf and Louis […]<\/p>\n","protected":false},"author":1,"featured_media":7652,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=7630"}],"version-history":[{"count":22,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions"}],"predecessor-version":[{"id":7689,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/7630\/revisions\/7689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/7652"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=7630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=7630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=7630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a><\/p>\n\u201cThe Art of Iron\u201d<\/a> at Clark Art Institute, Williamstown, June 9 to Sept. 16<\/h3>\n
\n<\/a>\u201cKeepers of the Flame: Parrish, Wyeth, Rockwell\u201d<\/a> at Norman Rockwell Museum, Stockbridge, June 9 to Oct. 28<\/h3>\n
\n<\/a>\u201cLife, Death & Revelry\u201d<\/a> at Isabella Stewart Gardner Museum, Boston, June 14 to Sept. 3<\/h3>\n
\n<\/a>Cristi Rinklin \u201cParamnsiac\u201d<\/a> at Newport Art Museum, Rhode Island, June 15 to Sept. 2<\/h3>\n
\n<\/a>\u201cBeyond Words\u201d<\/a> at Currier Museum of Art, Manchester, New Hampshire, June 16 to Sept. 9<\/h3>\n
\n<\/a>\u201cClarence H. White and His World: The Art and Craft of Photography, 1895\u20131925\u201d<\/a> at Portland Museum of Art, Maine, June 22 to Sept. 16<\/h3>\n
\n<\/a>\u201cIcons of the Hellenic World\u201d<\/a> at Museum of Russian Icons, Clinton, Massachusetts, June 22 to Oct. 21<\/h3>\n
\n<\/a>\u201cWinslow Homer and the Camera: Photography and the Art of Painting\u201d<\/a> at Bowdoin College Museum of Art, Brunswick, Maine, June 23 to Oct. 28<\/h3>\n
\n<\/a>\u201cSpace: An Out-of-Gravity Experience\u201d<\/a> at Boston\u2019s Museum of Science, opens June 23<\/h3>\n
\n<\/a>\u201cWe Wanted a Revolution: Black Radical Women, 1965\u201385\u201d<\/a> at Boston\u2019s Institute of Contemporary Art, June 27 to Sept. 30<\/h3>\n
\n<\/a>\u201cDance We Must: Treasures from Jacob\u2019s Pillow, 1906-1940\u201d<\/a> at Williams College Museum of Art, Williamstown, June 29 to Nov. 11<\/h3>\n
\n<\/a>\u201cSally Mann: A Thousand Crossings\u201d<\/a> at Peabody Essex Museum, Salem, June 30 to Sept. 23<\/h3>\n
\n<\/a>\u201cRadiance Rediscovered: Stained Glass by Tiffany and La Farge”<\/a> at the Worcester Art Museum, June 30, 2018, to July 7, 2019<\/h3>\n
\n<\/a>John Bisbee \u201cAmerican Steel\u201d<\/a> at Center for Maine Contemporary Art, Brunswick, June 30 to Oct. 14<\/h3>\n
\n<\/a>\u201cNam June Paik: Screen Play\u201d<\/a> at Harvard Art Museums, Cambridge, June 30 to Aug. 5<\/h3>\n
\n<\/a>Diana Thater<\/a> at Institute of Contemporary Art Watershead, East Boston, July 4 to Oct. 8<\/h3>\n
\n<\/a>\u201cYayoi Kusama: Where the Lights in My Heart Go\u201d<\/a> at deCordova Sculpture Park and Museum, Lincoln, Massachusetts, July 5 to Oct. 28<\/h3>\n
\n<\/a>\u201cHarrison Cady: View from the Headlands\u201d<\/a> at Cape Ann Museum, Gloucester, July 7 to Oct. 28<\/h3>\n
\n<\/a>\u201cCasanova\u2019s Europe: Art, Pleasure, and Power in the 18th Century\u201d<\/a> at Museum of Fine Arts, Boston, July 8 to Oct. 8<\/h3>\n
\n<\/a>\u201cPainter and Poet: The Art of Ashley Bryan\u201d<\/a> at Portland Museum of Art, Maine, Aug. 3 to Nov. 25<\/h3>\n
\n\u201cEmpresses of China\u2019s Forbidden City\u201d <\/a>at Peabody Essex Museum, Salem, Aug. 18 to Feb. 10<\/h3>\n
\n
\n","protected":false},"excerpt":{"rendered":"