{"id":25373,"date":"2024-08-04T07:32:00","date_gmt":"2024-08-04T11:32:00","guid":{"rendered":"https:\/\/gregcookland.com\/wonderland\/?p=25373"},"modified":"2024-08-05T07:34:10","modified_gmt":"2024-08-05T11:34:10","slug":"einspruch-2","status":"publish","type":"post","link":"https:\/\/gregcookland.com\/wonderland\/2024\/08\/04\/einspruch-2\/","title":{"rendered":"Franklin Einspruch Distilling Everyday Life"},"content":{"rendered":"\n

“I come out of a dual background in illustration and abstract painting and have long sought ways to make figurative paintings that honor the aspirations of modernist abstraction,” artist and critic Franklin Einspruch writes of his exhibition “Tangibilia,”<\/a> which was on view at There gallery in New York from June 1 to 8, 2024. “Mostly that meant using high volumes of paint to make pictures from observation, sort of a greatly magnified Impressionism.”<\/p>\n\n\n\n

But after Einspruch moved from Boston to five wooded acres in Hillsborough, in southern New Hampshire, in 2022, he shifted his approach as he created images of people shoveling snow, browsing a bookstore, preparing dinner, tending a garden, having sex. There’s also a self-portrait depicting him painting his self-portrait.<\/p>\n\n\n\n

“Informed about equally by some favorite alternative comics and the Milton Avery exhibition at the Wadsworth Atheneum in 2022, I started rendering scenes using outlined shapes in an aggressively flattened space,” Einspruch writes. “They are wholly invented and synthetic, with slight concessions to naturalism and nearly none to observation. The physicality of the paint remains important but I\u2019m trying to achieve a sense of visual pressure through facture rather than sheer quantity. These shifts in emphasis allowed for some experiments in printmaking.”<\/p>\n\n\n\n

The exhibition title, Einspruch writes, “is a coinage of Philip Guston\u2019s that appears in a few places in the compilation of his talks and conversations titled ‘I Paint What I Want to See<\/em>.’ He used it to describe the common objects that began to interest him after his turn away from abstraction: ‘a shoe, a book, a hand.’ Doing so struck him as ‘an even greater enigma’ than abstraction, ‘Or, rather, a deeper ambiguity.’ He echoed Giorgio Morandi: ‘Nothing is more abstract than reality.’\u201d<\/p>\n\n\n\n

Einspruch adds, “The images coalesced around scenarios in which touch plays a meaningful role: gardening, knitting, lovemaking, the act of painting itself. ‘Visible and mobile, my body is a thing among things; it is caught in the fabric of the world, and its cohesion is that of a thing,’ wrote Maurice Merleau-Ponty. ‘But, because it moves itself and sees, it holds things in a circle around itself.’ That fabric is tangibilia, and I\u2019m interested in art that relishes contact with it.”<\/p>\n\n\n\n

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If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by\u00a0contributing to Wonderland on Patreon<\/a>. And\u00a0sign up for our free, occasional newsletter<\/a>\u00a0so that you don’t miss any of our reporting. (All content \u00a9Greg Cook 2024 or the respective creato<\/em>rs.)<\/p>\n\n\n\n

\"Franklin
Franklin Einspruch, “Implication,” 2024, oil on linen. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “Dinner Prep,” 2023, white-line woodcut.(Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “Hillsborough Marriage,” 2023, egg tempera on paper. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “Private Life,” 2023, oil on canvas. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “Black to Play,” 2023, oil on linen. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “Storm Coming Stuff to Do,” 2023, white-line woodcut. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
\"Franklin
Franklin Einspruch, “Bookstore,” 2023, egg tempera on paper. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
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Franklin Einspruch, “View at the Cliff,” 2022, egg tempera on paper. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
\"Franklin
Franklin Einspruch, “Hostess,” 2022, egg tempera on paper. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n\n\n\n
\"Franklin
Franklin Einspruch, “Flower,” 2024, oil on linen. (Photo by John Goodrich; courtesy of Franklin Einspruch.)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

“I come out of a dual background in illustration and abstract painting and have long sought ways to make figurative paintings that honor the aspirations of modernist abstraction,” artist and critic Franklin Einspruch writes of his exhibition “Tangibilia,” which was on view at There gallery in New York from June 1 to 8, 2024. “Mostly […]<\/p>\n","protected":false},"author":1,"featured_media":25389,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[985],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/25373"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=25373"}],"version-history":[{"count":5,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/25373\/revisions"}],"predecessor-version":[{"id":25391,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/25373\/revisions\/25391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/25389"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=25373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=25373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=25373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}