{"id":14842,"date":"2020-01-09T00:42:03","date_gmt":"2020-01-09T05:42:03","guid":{"rendered":"http:\/\/gregcookland.com\/wonderland\/?p=14842"},"modified":"2020-01-18T10:17:50","modified_gmt":"2020-01-18T15:17:50","slug":"1917","status":"publish","type":"post","link":"https:\/\/gregcookland.com\/wonderland\/2020\/01\/09\/1917\/","title":{"rendered":"\u20181917\u2019\u2014A World War I Mission Impossible To Save A Battalion From A Trap"},"content":{"rendered":"<p>The First World War film <a href=\"https:\/\/www.1917.movie\" target=\"_blank\" rel=\"noopener\">\u201c1917\u201d<\/a>\u2014which took home Golden Globe Awards for best dramatic picture and best director on Jan. 5\u2014jumps off when a British general summons a couple of men into his trench bunker to send them on a mission impossible: to deliver a message to the commander of 2nd Devons Battalion \u201ccalling off tomorrow morning\u2019s attack.\u201d It\u2019s April 6, 1917, in France. Aerial reconnaissance, he says, has revealed that the Germans have made a strategic retreat to Siegfriedstellung\u2014the Hindenburg Line\u2014where they have quietly spend six months setting up deadly trenches and artillery.<\/p>\n<p>\u201cThey\u2019re walking into a trap,\u201d General Erinmore (Colin Firth) tells them. \u201c\u2026If you fail it will be a massacre. \u2026 If you don\u2019t get there in time, we will lose 1,600 men, your brother among them.\u201d<\/p>\n<p>The British had 20,000 men killed on one day during 1916\u2019s First Battle of the Somme. Perhaps the film&#8217;s biggest test of credibility is that a First World War officer would consider the loss of 1,600 men something more than a rounding error.<\/p>\n<p>But to get to the 2nd Battalion, the two men\u2014Lance Corporals Schofield (George MacKay) and Blake (Dean-Charles Chapman) from the 8th Battalion\u2014have to cross the haunted no-man\u2019s land and the (hopefully) former German front lines. MacKay and Chapman lead an excellent cast in this masterfully crafted thriller full of suspense, horror and heartbreak. It\u2019s riveting if\u2014you know\u2014you\u2019re fascinated by war.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YqNYrYUiMfg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Director Sam Mendes (\u201cAmerican Beauty,\u201d for which he won Oscars for Best Director and Best Picture, \u201cSkyfall,\u201d \u201cSpectre\u201d) and cinematographer Roger Deakins (\u201cThe Shawshank Redemption\u201d; \u201cBlade Runner 2049,\u201d for which he won an Academy Award; and Coen brothers films including \u201cNo Country for Old Men\u201d) film the adventure in a series long, seemingly uncut takes that often feel like a single continuous shot. Their first-person-shooter camera style sounded like a showoffy gimmick when I first heard about it. But it pulls you in as the camera hovers just in front or over the shoulder of the two men. It\u2019s intimate\u2014and shocking. It puts you right in the thick of the deadly action.<\/p>\n<p>Schofield and Blake have been told to hoof it southeast, through the town of \u00c9coust, to the Croisilles Wood, where they should find the battalion. Blake is in a hurry, but Schofield warns, \u201cIf we\u2019re not clever about this no one will get to your brother.\u201d<\/p>\n<p>Lieutenant Leslie (Andrew Scott, the sexy priest from Amazon\u2019s \u201cFleabag\u201d) thinks the Germans haven\u2019t moved back. This warning sits worrisomely in the mind as we first follow the men out of a trench onto the battlefield. At first the camera only shows the trench wall, then you seemingly pop your head over, into the potential line of fire. The landscape opens up into an expanse of muddy craters, thickets of barbed wire, dead trees, dead tanks, dead horses, dead men surrounded by clouds of buzzing flies.<\/p>\n<p>The general&#8217;s intelligence turns out to be correct\u2014the Germans have pulled back, leaving a ghost town of underground barracks, ruined artillery, booby traps. \u201cThey\u2019re not long gone,\u201d the lance corporals realize. The plot leads them into a maze of tense episodes\u2014an abandoned farm, cows and spring flowering cherry trees chopped down by the Germans to leave no food behind, an aerial dog fight and plane crash, hitching a ride with a caravan of troop trucks, roads blocked, a vehicle stuck in the mud, rivers, a sniper, a baby, a chase through midnight ruins lit by bonfires and flickering flares.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3hSjs2hBa94\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The winding journey of \u201c1917\u201d has echoes of Francis Ford Coppola\u2019s 1979 Vietnam War visionquest \u201cApocalypse Now,\u201d but it\u2019s not so sophisticated or perceptive. It\u2019s more an expertly crafted version of a traditional Hollywood action epic like Peter Jackson\u2019s \u201cThe Lord of the Rings\u201d series or Alfonso Cuar\u00f3n\u2019s 2013 movie \u201cGravity\u201d or Steven Spielberg\u2019s 1998 \u201cSaving Private Ryan.\u201d<\/p>\n<p>The odyssey in \u201c1917\u201d is built upon so many adventure yarn hurdles that it can strain credibility. But it\u2019s all so taut, and you\u2019re so busy bighting your nails, that qualms may only surface after you leave the theater. For all its bloody verisimilitude, this is still a Hollywood tall tale. You have to buy into the stretching of reality to enjoy the war thrill ride.<\/p>\n<p>World War I hasn\u2019t been a great source of movie plots over the century since the fighting\u2019s end. Perhaps something about thousands of men being uselessly mowed down by machine guns and poison gas didn\u2019t offer enough intrigue. But the hundredth anniversary of the &#8220;Great War&#8221; has brought new attention from directors with ties to the old British Empire. New Zealand director Peter Jackson recovered vintage footage to build his 2019 documentary <a href=\"https:\/\/gregcookland.com\/wonderland\/2019\/01\/16\/they-shall-not-grow-old\/\" target=\"_blank\" rel=\"noopener\">\u201cThey Shall Not Grow Old.\u201d<\/a> And now \u201c1917.\u201d They feel like works of nostalgic revisionism, an effort to reclaim the war\u2019s devastating failure as a noble project. But looking back at how the calamity of the First World War and the Great Depression that followed incubated the rise of fascism and authoritarianism, I can&#8217;t help registering unsettling vibrations of how things are leaning in the West today.<\/p>\n<hr \/>\n<p><em>If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n<figure id=\"attachment_14854\" aria-describedby=\"caption-attachment-14854\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14854\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw-1024x734.jpg\" alt=\"George MacKay as Schofield in &quot;1917.\u201d (Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"645\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw-1024x734.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw-300x215.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw-768x551.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw-370x265.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00035A.jpg_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14854\" class=\"wp-caption-text\">George MacKay as Schofield in &#8220;1917.\u201d (Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14852\" aria-describedby=\"caption-attachment-14852\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14852\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw-1024x683.jpg\" alt=\"Cast and crew members on the set of &quot;1917.\u201d (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00140.jpg_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14852\" class=\"wp-caption-text\">Cast and crew members on the set of &#8220;1917.\u201d (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14851\" aria-describedby=\"caption-attachment-14851\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14851\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw-1024x683.jpg\" alt=\"George MacKay as Schofield in &quot;1917.\u201d (Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D040_00068_RV2_CROP.jpg_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14851\" class=\"wp-caption-text\">George MacKay as Schofield in &#8220;1917.\u201d (Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14849\" aria-describedby=\"caption-attachment-14849\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14849\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw-1024x683.jpg\" alt=\"Director of photography Roger Deakins (left) and director Sam Mendes on the set of &quot;1917.&quot; (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D018_00009_RV2_CROP.jpg_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14849\" class=\"wp-caption-text\">Director of photography Roger Deakins (left) and director Sam Mendes on the set of &#8220;1917.&#8221; (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14853\" aria-describedby=\"caption-attachment-14853\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14853\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw-1024x587.jpg\" alt=\"George MacKay as Schofield in &quot;1917.\u201d (Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"516\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw-1024x587.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw-300x172.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw-768x440.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw-370x212.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_FP_00013A.jpg_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14853\" class=\"wp-caption-text\">George MacKay as Schofield in &#8220;1917.\u201d (Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14848\" aria-describedby=\"caption-attachment-14848\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14848\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW-1024x789.jpg\" alt=\"Director Sam Mendes (from left), Dean-Charles Chapman and George MacKay on the set of &quot;1917.&quot; (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"693\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW-1024x789.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW-300x231.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW-768x592.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW-370x285.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D007_00002R.jpg_cmykW.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14848\" class=\"wp-caption-text\">Director Sam Mendes (from left), Dean-Charles Chapman and George MacKay on the set of &#8220;1917.&#8221; (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n<figure id=\"attachment_14850\" aria-describedby=\"caption-attachment-14850\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14850\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw-1024x683.jpg\" alt=\"Cast and crew members on the set of &quot;1917.\u201d (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2020\/01\/8V66_D034_00066.JPG_cmykw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-14850\" class=\"wp-caption-text\">Cast and crew members on the set of &#8220;1917.\u201d (Fran\u00e7ois Duhamel \/ Universal Pictures and DreamWorks Pictures)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The First World War film \u201c1917\u201d\u2014which took home Golden Globe Awards for best dramatic picture and best director on Jan. 5\u2014jumps off when a British general summons a couple of men into his trench bunker to send them on a mission impossible: to deliver a message to the commander of 2nd Devons Battalion \u201ccalling off [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14855,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,116],"tags":[662,658,660,657,661,659,656],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/14842"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=14842"}],"version-history":[{"count":18,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/14842\/revisions"}],"predecessor-version":[{"id":15004,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/14842\/revisions\/15004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/14855"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=14842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=14842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=14842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}