{"id":13075,"date":"2019-08-14T21:52:34","date_gmt":"2019-08-15T01:52:34","guid":{"rendered":"http:\/\/gregcookland.com\/wonderland\/?p=13075"},"modified":"2019-08-14T21:52:34","modified_gmt":"2019-08-15T01:52:34","slug":"kay-nielsen","status":"publish","type":"post","link":"https:\/\/gregcookland.com\/wonderland\/2019\/08\/14\/kay-nielsen\/","title":{"rendered":"Illustrator And Disney Artist Kay Nielsen&#8217;s Glittering Fantasies And Difficult Life"},"content":{"rendered":"<p>The most famous creation of Kay Nielsen (1886-1957), one of the outstanding illustrators at the dawn of the 20th century, is the demon that steals the show at the end of Disney\u2019s 1940 animated film \u201cFantasia.\u201d<\/p>\n<p>The character was famously brought to life by animator Bill Tytla, who closely followed Nielsen\u2019s planning sketches of the glowing-eyed devil, his taut chest wreathed in smoke, flames dripping from his palms, orchestrating the bats and lesser demons that swirl about.<\/p>\n<p>Nielsen\u2014the subject of the exhibition <a href=\"https:\/\/www.mfa.org\/exhibitions\/kay-nielsens-enchanted-vision\" target=\"_blank\" rel=\"noopener\">\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection\u201d at Boston\u2019s Museum of Fine Arts<\/a> from July 20, 2019, to Jan. 20, 2020\u2014had arrived in California in 1936 to design sets and costumes for plays. But work was hard to come by. Playwright Alice Kauser took his \u201cArabian Nights\u201d drawings to Hollywood movie folks to try to drum up business.<\/p>\n<figure id=\"attachment_13109\" aria-describedby=\"caption-attachment-13109\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13109\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w-1024x572.jpg\" alt=\"\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection\u201d at Boston\u2019s Museum of Fine Arts, July 19, 2019. (Greg Cook)\" width=\"900\" height=\"503\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w-1024x572.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w-300x168.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w-768x429.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w-370x207.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0765w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13109\" class=\"wp-caption-text\">\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection\u201d at Boston\u2019s Museum of Fine Arts, July 19, 2019. (Greg Cook)<\/figcaption><\/figure>\n<p>\u201cI have now been here 15 months but Hollywood has not reacted,\u201d he wrote her in November 1937.<\/p>\n<p>Nielsen showed up with his portfolio at the Disney studio\u2019s front door in late 1938. \u201cJesus, this guy\u2019s great!\u201d Joe Grant, who headed Disney\u2019s Character Model Department, remembered in a 1994 interview with John Canemaker. The Disney studio newsletter The Bulletin described the artist as \u201cinternationally known as an illustrator of fine books\u201d when it announced he had begun employment there on Jan. 9, 1939. His job? To help imagine Disney\u2019s artistically ambitious classical music feature \u201cFantasia.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/b756FPiLlp8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Kay Nielsen was born in Copenhagen, Denmark, on March 12, 1886. His parents were actors. His father also directed, while his mother also sang. \u201cIn this tense atmosphere of art, I was brought up,\u201d Nielsen wrote in a 1930 autobiographical sketch in \u201cContemporary Illustrators of Children\u2019s Books,\u201d as quoted in Didier Ghez\u2019s 2016 book \u201cThey Drew As They Pleased: The Hidden Art of Disney\u2019s Musical Years\u201d (the source of much of my information about his time at Disney). \u201cI never really intended to be an artist myself.\u201d<\/p>\n<p>But Nielsen studied art in Paris, then moved to London, where in 1912, he had his first gallery exhibition. This led to commissions to illustrate books, beginning with a 1913 compilation of French fairytales, retold by Sir Arthur Quiller-Couch, titled \u201cIn Powder and Crinoline\u201d (called &#8220;The Twelve Dancing Princesses&#8221; in the United States).<\/p>\n<figure id=\"attachment_13120\" aria-describedby=\"caption-attachment-13120\" style=\"width: 891px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13120\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew-891x1024.jpg\" alt=\"Kay Nielsen, illustration from &quot;In Powder and Crinoline: Fairy Tales retold by Sir Arthur Quiller-Couch,&quot; published 1913. (Courtesy Museum of Fine Arts, Boston)\" width=\"891\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew-891x1024.jpg 891w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew-261x300.jpg 261w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew-768x883.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew-370x425.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/10_Illustration-from_In-Powder-and-Crinolinew.jpg 1170w\" sizes=\"(max-width: 891px) 100vw, 891px\" \/><\/a><figcaption id=\"caption-attachment-13120\" class=\"wp-caption-text\">Kay Nielsen, illustration from &#8220;In Powder and Crinoline: Fairy Tales retold by Sir Arthur Quiller-Couch,&#8221; published 1913. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13113\" aria-describedby=\"caption-attachment-13113\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13113\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w-1024x647.jpg\" alt=\"Kay Nielsen, &quot;In Powder and Crinoline: Fairy Tales retold by Sir Arthur Quiller-Couch,&quot; published 1913. (Courtesy Museum of Fine Arts, Boston)\" width=\"900\" height=\"569\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w-1024x647.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w-300x189.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w-768x485.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w-370x234.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719InPowderAndCrinoline1913_0302w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13113\" class=\"wp-caption-text\">Kay Nielsen, &#8220;In Powder and Crinoline: Fairy Tales retold by Sir Arthur Quiller-Couch,&#8221; published 1913. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>\u201cExquisitely done,\u201d according to a December 1923 review in The New York Times. \u201cHe has clad his slender, graceful ladies in ballooning skirts and flowing, voluminous folds with surprisingly charming results. Surely no one ever guessed before how much rhythmic grace, how much beauty of undulating line could be captured from those swaying, bulging habiliments.\u201d<\/p>\n<p>Nielsen\u2019s next project was his 1914 book \u201cEast of the Sun and West of the Moon,\u201d illustrating Norwegian tales collected by folklorists Peter Christen Asbj\u00f8rnsen and J\u00f8rgen Engebretsen Moe in the mid 1800s. It offers stories of three billy-goats gruff, of a woman who must marry a giant snake, of a princess who invites a gardener to sleep on her bedroom floor, of three princesses buried up to their necks by trolls and the only way to save them, they tell a wandering prince, is for the prince to allow himself to be whipped by the trolls.<\/p>\n<figure id=\"attachment_13115\" aria-describedby=\"caption-attachment-13115\" style=\"width: 734px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13115\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-734x1024.jpg\" alt=\"Kay Nielsen, illustration from &quot;East of the Sun and West of the Moon, Old Tales from the North,&quot; published 1914. (Courtesy Museum of Fine Arts, Boston)\" width=\"734\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-734x1024.jpg 734w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-215x300.jpg 215w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-768x1071.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-370x516.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/03_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg 1170w\" sizes=\"(max-width: 734px) 100vw, 734px\" \/><\/a><figcaption id=\"caption-attachment-13115\" class=\"wp-caption-text\">Kay Nielsen, illustration from &#8220;East of the Sun and West of the Moon, Old Tales from the North,&#8221; published 1914. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>These weren\u2019t picture books as they overflow from library children\u2019s rooms today, but storybooks with lots of words and then an occasional full-page illustration that opens like a window into a dazzling other world.<\/p>\n<p>\u201cOne of the finest collections of fairy tales ever published,\u201d Alison Lurie wrote in The New York Times in 1977, \u201cfull of enchanted princes and long-nosed trolls and magical journeys, brilliantly portrayed in the stylized Art Deco paintings of the Danish artist Kay Nielsen.\u201d<\/p>\n<figure id=\"attachment_13111\" aria-describedby=\"caption-attachment-13111\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13111\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w-1024x702.jpg\" alt=\"Kay Nielsen, Detail of &quot;A Tale from a Garden, No. 1, He and She and That,&quot; 1913. (Courtesy Museum of Fine Arts, Boston)\" width=\"900\" height=\"617\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w-1024x702.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w-300x206.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w-768x526.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w-370x254.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719Detail-ATaleFromAGardenHeAndSheAndThat1913_0245w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13111\" class=\"wp-caption-text\">Kay Nielsen, Detail of &#8220;A Tale from a Garden, No. 1, He and She and That,&#8221; 1913. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13116\" aria-describedby=\"caption-attachment-13116\" style=\"width: 587px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13116\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw-587x1024.jpg\" alt=\"Kay Nielsen, &quot;Sir Olaf and the Underworld,&quot; 1913, transparent and opaque watercolor, pen and brush and ink, gesso and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"587\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw-587x1024.jpg 587w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw-172x300.jpg 172w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw-768x1339.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw-370x645.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/06_Sir-Olaf-and-the-Underworldw.jpg 1170w\" sizes=\"(max-width: 587px) 100vw, 587px\" \/><\/a><figcaption id=\"caption-attachment-13116\" class=\"wp-caption-text\">Kay Nielsen, &#8220;Sir Olaf and the Underworld,&#8221; 1913,<br \/>transparent and opaque watercolor, pen and brush and ink, gesso and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>Nielsen\u2019s illustrations are romantic, sexy, depicting delicate princesses and willowy bad boys lurking in parks or lounging alongside ladies\u2019 beds or occasionally straddling warhorses. His art is flat and graphic, lavishly stylized and delicate, with bold silhouettes decorated with filigrees of fine lines. He took inspiration from the traditional art of Persia, India, China. His works bring to mind fashion sketches, the English illustrator Aubrey Beardsley, and the tableaus of modernist ballets\u2014like Vaslav Nijinsky\u2019s 1912 \u201cThe Afternoon of a Faun\u201d for the Ballets Russes. (Nielsen saw the company dance while a student in Paris.) Nielsen\u2019s artworks are hand-drawn and painted with such precision that you might suspect they appeared by magic.<\/p>\n<figure id=\"attachment_13124\" aria-describedby=\"caption-attachment-13124\" style=\"width: 684px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13124\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw-684x1024.jpg\" alt=\"Kay Nielsen, Illustration from the &quot;Joan of Arc&quot; series, 1914, transparent and opaque watercolor, pen and brush and ink, metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"684\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw-684x1024.jpg 684w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw-200x300.jpg 200w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw-768x1149.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw-370x554.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/14_Illustration-from_the-Joan-of-Arc-seriesw.jpg 1170w\" sizes=\"(max-width: 684px) 100vw, 684px\" \/><\/a><figcaption id=\"caption-attachment-13124\" class=\"wp-caption-text\">Kay Nielsen, Illustration from the &#8220;Joan of Arc&#8221; series, 1914, transparent and opaque watercolor, pen and brush and ink, metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>Then the First World War intervened. As the luxury book market crashed, Nielsen returned to Copenhagen to design costumes and stage sets for productions of Shakespeare\u2019s \u2018The Tempest,\u201d Danish playwright Adam Oehlenschl\u00e4ger\u2019s \u201cAladdin,\u201d Jean Sibelius\u2019s \u201cScaramouche.\u201d His 1917 drawings for set and costumes for \u201cAlladin,\u201d as well as images of a Hindu dancer and Chinese fiddler, were highlighted in \u201cThe International Exhibition of Theatre Art\u201d at New York\u2019s Museum of Modern Art in 1934.<\/p>\n<p>Nielsen continued to work on illustrations. He painted watercolors for a Danish translation of \u201c1001 Nights\u201d that wasn\u2019t published due to the war. (He kept them in a wooden box that was still in his house after he and his wife died in the 1950s. They were finally published for the first time by Taschen last fall.)<\/p>\n<p>\u201cSomething emerges that belongs to no one else than Kay Nielsen himself, a little aromatic spirit of Scandinavia that persists through the intense sophistication of manner and form,\u201d The New York Times wrote of a December 1917 exhibition of his watercolors. \u201cThere is a poignant wistfulness in his porcelain shepherdess sprinkled with minute ornament; in his fairy-tale \u2018Lassie\u2019 taken home on a magical horse with braided tail and mane, the long train of her gown curling about her slender huddled limbs like a winding sheet; in his Princess Diaphanie, so frail that the lightest puff of a mischievous breeze blows her away from entreating love; in the Prunella of the last act with dying Pierrot at her feet; in her crouching figure on the flowered knoll against the wonderfully beautiful background of \u2018The Thick Wood.\u2019\u201d<\/p>\n<p>\u201cThere are three war pictures in the exhibition,\u201d the article noted, \u201ccuriously attenuated moans of horror, deliberately arranged, but not without effectiveness in which color is asked to bear the burden of the message.\u201d<\/p>\n<figure id=\"attachment_13118\" aria-describedby=\"caption-attachment-13118\" style=\"width: 753px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13118\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw-753x1024.jpg\" alt=\"Kay Nielsen, Illustration from &quot;Hansel and Gretel and Other Stories&quot; by the Brothers Grimm, published 1925, transparent and opaque watercolor, pen and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"753\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw-753x1024.jpg 753w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw-221x300.jpg 221w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw-768x1044.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw-370x503.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/08_Illustration-from_Hansel-and-Gretel-and-Other-Stories-by-the-Brothers-Grimmw.jpg 1170w\" sizes=\"(max-width: 753px) 100vw, 753px\" \/><\/a><figcaption id=\"caption-attachment-13118\" class=\"wp-caption-text\">Kay Nielsen, Illustration from &#8220;Hansel and Gretel and Other Stories&#8221; by the Brothers Grimm, published 1925, transparent and opaque watercolor, pen and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>Nielsen\u2019s first book after the war was \u201cFairy Tales by Hans Andersen,\u201d published in 1924, which included some illustrations that dated back to his Paris student days. He followed that with \u201cHansel and Gretel and Other Stories by the Brothers Grimm\u201d in 1925. In one iconic scene, Nielsen depicts Hansel and Gretel holding hands, as if comforting each other, as they stand dwarfed by a dead gray tangle of forest. But in the center, like an oasis, or a mirage, a copse of green trees bloom that shade a cottage made of sweets.<\/p>\n<p>Nielsen\u2019s next and last book was \u201cRed Magic: A Collection of the World\u2019s Best Fairy Tales from All Countries,\u201d published as a cheap, small version at the start of the Depression in 1930.<\/p>\n<figure id=\"attachment_13112\" aria-describedby=\"caption-attachment-13112\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13112\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w-1024x647.jpg\" alt=\"Kay Nielsen, &quot;Fairy Tales by Hans Andersen,&quot; published 1924. (Courtesy Museum of Fine Arts, Boston)\" width=\"900\" height=\"569\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w-1024x647.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w-300x189.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w-768x485.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w-370x234.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719FairyTalesByHansAndersen1924_0303w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13112\" class=\"wp-caption-text\">Kay Nielsen, &#8220;Fairy Tales by Hans Andersen,&#8221; published 1924. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<p>Nielsen arrived in New York aboard the SS Europa on Aug. 7, 1936, and headed for Los Angeles to work in theater and, hopefully, Hollywood. When he joined Disney to make story planning sketches to inspire the animators in 1939, he negotiated for the studio to help him get U.S. government permission to move his wife Ulla from Denmark to California. She made it to the United States that November, two months after Hitler\u2019s Germany invaded Poland.<\/p>\n<p>Nielsen was one of the last of a group of European immigrant artists hired by the Disney studio to give their groundbreaking feature-length animated films like \u201cSnow White and the Seven Dwarfs\u201d (1937) and \u201cPinocchio\u201d (1940) the atmosphere of villages in the European Alps and an \u201cOld World\u201d artistic richness. Among them were Gustaf Tenggren, Ferdinand Horvath, Albert Hunter and Sylvia Holland. (After World War II, Disney films would turn more American\u2014modern, streamlined, Victorian, suburban.)<\/p>\n<p>World War II now hurt the market for Disney\u2019s animations. \u201cFantasia,\u201d released in November 1940, was a financial flop. As Disney looked to cut costs and increase efficiency, Nielsen struggled with the pace demanded. \u201cEverything that man did was great,\u201d Disney colleague Campbell Grant recalled in 1977 interview, as quoted in Didier Ghez\u2019s 2016 book \u201cThey Drew As They Pleased.\u201d \u201cBut you couldn\u2019t hurry him. He just worked at his own speed, and if the efficiency expert came around and tried to bug him, he just wouldn\u2019t talk to him.\u201d<\/p>\n<figure id=\"attachment_13108\" aria-describedby=\"caption-attachment-13108\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13108\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w-1024x770.jpg\" alt=\"Kay Nielsen, Concept drawing for Disney's &quot;Fantasia&quot; featuring Chernabog, 1940, pastel and crayon. (Courtesy Boston\u2019s Museum of Fine Arts)\" width=\"900\" height=\"677\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w-1024x770.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w-300x226.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w-768x578.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w-370x278.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719ConceptDrawingFantasiaChernabog1940_0253w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13108\" class=\"wp-caption-text\">Kay Nielsen, Concept drawing for Disney&#8217;s &#8220;Fantasia&#8221; featuring Chernabog, 1940, pastel and crayon. (Courtesy Boston\u2019s Museum of Fine Arts)<\/figcaption><\/figure>\n<p>The studio laid Nielsen off in June 1940, only to rehire him at the end of that September to do planning artwork for \u201cAlice in Wonderland\u201d and \u201cPenelope.&#8221; But both projects were soon postponed until after the war. He was asked to develop storyboards for Wagner\u2019s \u201cThe Ride of the Valkyries,\u201d expected to become part of a new version of \u201cFantasia,\u201d but which was abandoned. He also worked on an adaptation of Hans Christian Andersen\u2019s \u201cThe Little Mermaid,\u201d which was shelved until 1989.<\/p>\n<p>\u201cI have been very nervous and uncertain regarding everything here at the Studio, working away, but knowing nothing,\u201d Nielsen wrote to his friend, playwright Zoe Akins, on Dec. 22, 1940. \u201cI stay scared. I can\u2019t help it.\u201d<\/p>\n<p>The following May 23, just days before Disney animators went on strike on May 29, Nielsen was out of work again. \u201cKay is only working at Disney this week, then he is out,\u201d Ulla wrote Akins in May 1942. \u201cWalt told him yesterday, just before he left.\u201d<\/p>\n<p>Nielsen\u2019s on-again-off-again relationship with Disney was just the start of his financial troubles. He painted some murals for Los Angeles schools between 1942 and \u201946, and exhibited his art in the Children\u2019s Room at the New York Public Library. Nielsen and his wife moved back to Denmark from 1949 to \u201951. He was employed again at Disney, working on \u201cSleeping Beauty,\u201d from late 1952 to April 1953. By some accounts, he tried to make money raising chickens. But all the accounts agree that Nielsen died in poverty, his art much forgotten, on June 21, 1957.<\/p>\n<hr \/>\n<p><em>If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n<figure id=\"attachment_13119\" aria-describedby=\"caption-attachment-13119\" style=\"width: 799px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13119\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw-799x1024.jpg\" alt=\"Kay Nielsen, &quot;Flowers and Flames,&quot; 1921, opaque watercolor and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"799\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw-799x1024.jpg 799w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw-234x300.jpg 234w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw-768x985.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw-370x474.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/09_Flowers-and-Flamesw.jpg 1170w\" sizes=\"(max-width: 799px) 100vw, 799px\" \/><\/a><figcaption id=\"caption-attachment-13119\" class=\"wp-caption-text\">Kay Nielsen, &#8220;Flowers and Flames,&#8221; 1921, opaque watercolor and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13123\" aria-describedby=\"caption-attachment-13123\" style=\"width: 749px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13123\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw-749x1024.jpg\" alt=\"Kay Nielsen, Illustration from &quot;Fairy Tales by Hans Andersen,&quot; published 1924, transparent watercolor, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"749\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw-749x1024.jpg 749w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw-219x300.jpg 219w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw-768x1050.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw-370x506.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/13_Illustration-from_Fairy-Tales-by-Hans-Andersenw.jpg 1170w\" sizes=\"(max-width: 749px) 100vw, 749px\" \/><\/a><figcaption id=\"caption-attachment-13123\" class=\"wp-caption-text\">Kay Nielsen, Illustration from &#8220;Fairy Tales by Hans Andersen,&#8221; published 1924, transparent watercolor, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13122\" aria-describedby=\"caption-attachment-13122\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13122\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-905x1024.jpg\" alt=\"Kay Nielsen, illustration from &quot;East of the Sun and West of the Moon, Old Tales from the North,&quot; published 1914. (Courtesy Museum of Fine Arts, Boston)\" width=\"900\" height=\"1018\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-905x1024.jpg 905w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-265x300.jpg 265w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-768x869.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-370x419.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/12_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13122\" class=\"wp-caption-text\">Kay Nielsen, illustration from &#8220;East of the Sun and West of the Moon, Old Tales from the North,&#8221; published 1914. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13121\" aria-describedby=\"caption-attachment-13121\" style=\"width: 730px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13121\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw-730x1024.jpg\" alt=\"Kay Nielsen, illustration for &quot;Red Magic,&quot; published in 1930, pen and brush and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"730\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw-730x1024.jpg 730w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw-214x300.jpg 214w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw-768x1077.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw-370x519.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/11_Illustration-from_Red-Magicw.jpg 1170w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/a><figcaption id=\"caption-attachment-13121\" class=\"wp-caption-text\">Kay Nielsen, illustration for &#8220;Red Magic,&#8221; published in 1930, pen and brush and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13117\" aria-describedby=\"caption-attachment-13117\" style=\"width: 830px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13117\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew-830x1024.jpg\" alt=\"Kay Nielsen, &quot;Inevitable,&quot; from &quot;The Book of Death&quot; series, 1910, pen and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"830\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew-830x1024.jpg 830w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew-243x300.jpg 243w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew-768x947.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew-370x456.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/07_Inevitablew.jpg 1170w\" sizes=\"(max-width: 830px) 100vw, 830px\" \/><\/a><figcaption id=\"caption-attachment-13117\" class=\"wp-caption-text\">Kay Nielsen, &#8220;Inevitable,&#8221; from &#8220;The Book of Death&#8221; series, 1910, pen and ink, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13114\" aria-describedby=\"caption-attachment-13114\" style=\"width: 746px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13114\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-746x1024.jpg\" alt=\"Kay Nielsen, Illustration from &quot;East of the Sun, West of the Moon, Old Tales from the North,&quot; published 1914, transparent and opaque watercolor, pen and brush and ink, gesso and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)\" width=\"746\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-746x1024.jpg 746w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-218x300.jpg 218w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-768x1055.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw-370x508.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/02_Illustration-from_East-of-the-Sun-and-West-of-the-Moonw.jpg 1170w\" sizes=\"(max-width: 746px) 100vw, 746px\" \/><\/a><figcaption id=\"caption-attachment-13114\" class=\"wp-caption-text\">Kay Nielsen, Illustration from &#8220;East of the Sun, West of the Moon, Old Tales from the North,&#8221; published 1914, transparent and opaque watercolor, pen and brush and ink, gesso and metallic paint, over graphite. (Courtesy Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<figure id=\"attachment_13110\" aria-describedby=\"caption-attachment-13110\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13110\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w-1024x732.jpg\" alt=\"\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection\u201d at Boston\u2019s Museum of Fine Arts, July 19, 2019. (Greg Cook)\" width=\"900\" height=\"643\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w-1024x732.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w-300x214.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w-768x549.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w-370x264.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/08\/picKayNielsenMFA190719_0766w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-13110\" class=\"wp-caption-text\">\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection\u201d at Boston\u2019s Museum of Fine Arts, July 19, 2019. (Greg Cook)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The most famous creation of Kay Nielsen (1886-1957), one of the outstanding illustrators at the dawn of the 20th century, is the demon that steals the show at the end of Disney\u2019s 1940 animated film \u201cFantasia.\u201d The character was famously brought to life by animator Bill Tytla, who closely followed Nielsen\u2019s planning sketches of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13106,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100,107,129,116],"tags":[37,211,132,216],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/13075"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=13075"}],"version-history":[{"count":11,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/13075\/revisions"}],"predecessor-version":[{"id":13135,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/13075\/revisions\/13135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/13106"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=13075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=13075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=13075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}