{"id":12027,"date":"2019-05-31T15:41:23","date_gmt":"2019-05-31T19:41:23","guid":{"rendered":"http:\/\/gregcookland.com\/wonderland\/?p=12027"},"modified":"2019-05-31T15:43:17","modified_gmt":"2019-05-31T19:43:17","slug":"summer-preview","status":"publish","type":"post","link":"https:\/\/gregcookland.com\/wonderland\/2019\/05\/31\/summer-preview\/","title":{"rendered":"Everything To See This Summer: Scissors \u2022 Murals \u2022 Renoir \u2022 Woodstock \u2022 Corpses \u2022 Fairy Tales \u2022 Winslow Homer"},"content":{"rendered":"<p>Here is Wonderland\u2019s guide to the best museum exhibitions to see around New England this summer\u2026.<\/p>\n<hr \/>\n<p><em>If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n<h2>MAY<\/h2>\n<figure id=\"attachment_11239\" aria-describedby=\"caption-attachment-11239\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11239\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13-1024x650.jpg\" alt=\"Gorham Manufacturing Company, \u201cFruit Stand (detail),\u201d 1871, silver with gilding. (Museum of Art, Rhode Island School of Design, Providence)\" width=\"900\" height=\"571\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13-1024x650.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13-300x191.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13-768x488.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13-370x235.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picGorhamSilverRISDM-1991-126-26-v_13.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-11239\" class=\"wp-caption-text\">Gorham Manufacturing Company, \u201cFruit Stand (detail),\u201d 1871, silver with gilding. (Museum of Art, Rhode Island School of Design, Providence)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/risdmuseum.org\/exhibitions-events\/exhibitions\/gorham-silver\" target=\"_blank\" rel=\"noopener\">\u201cGorham Silver: Designing Brilliance 1850-1970,\u201d<\/a> RISD Museum, Providence, May 3 to Dec. 1, 2019<\/h2>\n<p>This exhibit surveys 120 years of production by the Providence firm that rose to be the largest silver company in the world. Mary Todd Lincoln even bought one of their tea services for the White House. They impressed with pieces ranging from a modernist cubist coffee set to ornate designs that look like something out of a fairy tale palace or Neptune\u2019s undersea castle.<\/p>\n<hr \/>\n<figure id=\"attachment_11238\" aria-describedby=\"caption-attachment-11238\" style=\"width: 900px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11238\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew-1024x616.jpg\" alt=\"William Steig, illustration for \u201cSylvester and the Magic Pebble\u201d (Simon &amp; Schuster Books for Young Readers). (Collection of Maggie Steig. \u00a9 1969 William Steig)\" width=\"900\" height=\"541\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew-1024x616.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew-300x181.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew-768x462.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew-370x223.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/SteigMagicPebblew.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-11238\" class=\"wp-caption-text\">William Steig, illustration for \u201cSylvester and the Magic Pebble\u201d (Simon &amp; Schuster Books for Young Readers). (Collection of Maggie Steig. \u00a9 1969 William Steig)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.carlemuseum.org\/content\/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">\u201cWilliam Steig&#8217;s Sylvester and the Magic Pebble: A Golden Anniversary,\u201d<\/a> Eric Carle Museum of Picture Book Art, Amherst, May 4 to Dec. 1, 2019<\/h2>\n<p>The late Boston writer and illustrator William Steig drafted fables of surpassing wonder and strangeness. For example, his 1969 book \u201cSylvester and the Magic Pebble,\u201d which won the Caldecott Medal. It\u2019s the story of a donkey who finds a magic pebble that he (accidentally) uses to transform himself into a boulder, much to his unhappiness. The exhibition offers preliminary sketches, storyboards, dummy books, Steig\u2019s paints and tools, personal family photographs and his prized Caldecott Medal.<\/p>\n<hr \/>\n<figure id=\"attachment_11237\" aria-describedby=\"caption-attachment-11237\" style=\"width: 900px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11237\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM-1024x656.jpg\" alt=\"View of East Room, Peter Lynch Marblehead Neck House. (\u00a9 Peabody Essex Museum. Photo: Kathy Tarantola.)\" width=\"900\" height=\"577\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM-1024x656.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM-300x192.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM-768x492.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM-370x237.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLynchPEM.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-11237\" class=\"wp-caption-text\">View of East Room, Peter Lynch Marblehead Neck House. (\u00a9 Peabody Essex Museum. Photo: Kathy Tarantola.)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.pem.org\/exhibitions\/a-passion-for-american-art-selections-from-the-carolyn-and-peter-lynch-collection\" target=\"_blank\" rel=\"noopener\">\u201cA Passion for American Art: Selections from the Carolyn and Peter Lynch Collection,\u201d <\/a>Peabody Essex Museum, Salem, May 11 to Dec. 1, 2019<\/h2>\n<p>Paintings by Georgia O\u2019Keeffe, Winslow Homer, John Singer Sargent and Martin Johnson Heade plus sculpture, furniture, decorative art and Native American art spanning three centuries. All from the collection of Marblehead couple Carolyn and Peter Lynch, a Fidelity Investments financier.<\/p>\n<hr \/>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/50517466\" width=\"640\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<a href=\"https:\/\/listart.mit.edu\/exhibitions\/ericka-beckman\" target=\"_blank\" rel=\"noopener\">\u201cEricka Beckman: Double Reverse,\u201d<\/a> MIT List Visual Arts Center, Cambridge, May 24, 2019 &#8211; July 28, 2019<\/h2>\n<p>The MassArt\u2019s teacher\u2019s films and videos offer curious games and fairy tales, construction sites and football stadiums. They can feel like \u201cSesame Street\u201d shorts directed by the surrealist Luis Bunuel.<\/p>\n<hr \/>\n<figure id=\"attachment_11236\" aria-describedby=\"caption-attachment-11236\" style=\"width: 713px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11236\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2-713x1024.jpg\" alt=\"Olga de Amaral \u201cMuro teijido 1 (Wall Hanging 1),\u201d probably 1969, double-woven slit tapestry of hand-spun wool. (Museum of Arts and Design, New York, Photo: Eva Heyd. \u00a9 Olga de Amaral)\" width=\"713\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2-713x1024.jpg 713w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2-209x300.jpg 209w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2-768x1103.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2-370x531.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picHaystackDe-Amaral-Olga_Hanging-57_2.jpg 1170w\" sizes=\"(max-width: 713px) 100vw, 713px\" \/><\/a><figcaption id=\"caption-attachment-11236\" class=\"wp-caption-text\">Olga de Amaral \u201cMuro teijido 1 (Wall Hanging 1),\u201d probably 1969, double-woven slit tapestry of hand-spun wool. (Museum of Arts and Design, New York, Photo: Eva Heyd. \u00a9 Olga de Amaral)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.portlandmuseum.org\/exhibitions\/vanguard\" target=\"_blank\" rel=\"noopener\">\u201cIn the Vanguard: Haystack Mountain School of Crafts, 1950-1969,\u201d<\/a> Portland Museum of Art, May 24 to Sept. 8, 2019<\/h2>\n<p>In 1950, an experimental art school opened in Montville, Maine, named for nearby Haystack Mountain. This \u201cfirst major museum exhibition focused solely on this school\u201d showcases artists it attracted in its early years\u2014Anni Albers, Dale Chihuly, Robert Ebendorf, Jack Lenor Larsen, M.C. Richards, and Toshiko Takaezu. As evidenced by 90 textiles, ceramics, glass, metalwork, paintings and prints, as well as correspondence, photographs, brochures, posters and magazine articles.<\/p>\n<hr \/>\n<figure id=\"attachment_11233\" aria-describedby=\"caption-attachment-11233\" style=\"width: 889px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11233\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018-889x1024.jpg\" alt=\"Cauleen Smith \u201cGive It or Leave It\u201d at ICA Philadelphia, 2018. (Courtesy Mass MoCA)\" width=\"889\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018-889x1024.jpg 889w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018-260x300.jpg 260w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018-768x885.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018-370x426.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picCauleenSmithGive-It-or-Leave-ItICA-Philadelphia2018.jpg 1170w\" sizes=\"(max-width: 889px) 100vw, 889px\" \/><\/a><figcaption id=\"caption-attachment-11233\" class=\"wp-caption-text\">Cauleen Smith \u201cGive It or Leave It\u201d at ICA Philadelphia, 2018. (Courtesy Mass MoCA)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/massmoca.org\/event\/cauleen-smith\/\" target=\"_blank\" rel=\"noopener\">Cauleen Smith \u201cWe Already Have What We Need,\u201d<\/a> Mass Moca, North Adams, debuts May 25, 2019<\/h2>\n<p>The LA artist\u2014who creates what she\u2019s called \u201ca cornucopia of future histories\u201d\u2014fills the museum\u2019s first floor galleries with a new immersive video installation dubbed \u201cEvery Sunrise and Every Sunset All at Once\u201d about ecology and our basic needs. Plus tables displaying African figurines, plants, a model sailboat, musical instruments. The show also offers a survey of videos from the past decade, new textiles, banners from her \u201cIn the Wake\u201d series, a manifesto, and drawings.<\/p>\n<hr \/>\n<figure id=\"attachment_11235\" aria-describedby=\"caption-attachment-11235\" style=\"width: 886px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11235\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR-886x1024.jpg\" alt=\"\u201cOctopus and Shell,\u201d Japanese, Edo period, c. 1820s, woodblock print (surimono); ink, color, and metallic pigment on paper. (Courtesy Harvard Art Museums)\" width=\"886\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR-886x1024.jpg 886w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR-260x300.jpg 260w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR-768x887.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR-370x428.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picJapanHarvard-OctopusAndShell_1933.4.2067_767165_PR.jpg 1170w\" sizes=\"(max-width: 886px) 100vw, 886px\" \/><\/a><figcaption id=\"caption-attachment-11235\" class=\"wp-caption-text\">\u201cOctopus and Shell,\u201d Japanese, Edo period, c. 1820s, woodblock print (surimono); ink, color, and metallic pigment on paper. (Courtesy Harvard Art Museums)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.harvardartmuseums.org\/visit\/exhibitions\/5803\/japan-on-paper\" target=\"_blank\" rel=\"noopener\">\u201cJapan on Paper,\u201d<\/a> Harvard Art Museums, Cambridge, May 25 to Aug. 11, 2019<\/h2>\n<p>Nearly 50 Japanese woodblock prints from the 17th to 20th centuries, including works by Suzuki Harunobu (1725\u20131770), Utagawa Hiroshige (1797\u20131858), Sharaku (active 1794\u201395), It\u014d Jakuch\u016b (1716\u20131800) and Katsushika Hokusai (1760\u20131849).<\/p>\n<hr \/>\n<figure id=\"attachment_11234\" aria-describedby=\"caption-attachment-11234\" style=\"width: 900px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11234\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-1024x1024.jpg\" alt=\"Annie Lennox \u201cNow I Let You Go\u2026,\u201d for Mass MoCA.\" width=\"900\" height=\"900\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-1024x1024.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-150x150.jpg 150w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-300x300.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-768x768.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-370x370.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox-70x70.jpg 70w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLennox.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-11234\" class=\"wp-caption-text\">Annie Lennox \u201cNow I Let You Go\u2026,\u201d for Mass MoCA.<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/massmoca.org\/event\/annie-lennox-now-i-let-you-go\/\" target=\"_blank\" rel=\"noopener\">Annie Lennox \u201cNow I Let You Go\u2026,\u201d<\/a> Mass MoCA, North Adams, opens May 25, 2019<\/h2>\n<p>An exhibition that is \u201cpart material diary, part art installation\u201d by the celebrated pop singer. \u201cJuxtaposed against her public face, as we examine this excavation of remarkably personal objects, we will come to better understand some of the underlying and more private forces that motivate her work in song, and her passionately argued campaigns for justice, global health, and social equity across gender and race,\u201d Mass MoCA Director Joseph Thompson writes.<\/p>\n<hr \/>\n<h2>JUNE<\/h2>\n<figure id=\"attachment_12135\" aria-describedby=\"caption-attachment-12135\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12135\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w-1024x683.jpg\" alt=\"The Museum of Everyday Life, Glover, Vermont, Aug. 20, 2018. (Greg Cook)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMuseumofEverydayLifeClareDolanGloverVermont180820_0302w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12135\" class=\"wp-caption-text\">The Museum of Everyday Life, Glover, Vermont, Aug. 20, 2018. (Greg Cook)<\/figcaption><\/figure>\n<h2><a href=\"http:\/\/museumofeverydaylife.org\" target=\"_blank\" rel=\"noopener\">\u201cThe Pivot and the Blade,\u201d<\/a> Museum of Everyday Life, Glover, Vermont, opens June 1<\/h2>\n<p>Clare Dolan&#8217;s memorably curious and philosophical institution (motto: &#8220;Embarking on our mission of glorious obscurity&#8221;) opens its \u201cintimate look at scissors,\u201d surveying scissors design and exploring \u201cthe myriad professional, creative, superstitious, violent and domestic uses of scissors throughout the ages. All kinds of scissors will be on display.\u201d<\/p>\n<hr \/>\n<figure id=\"attachment_12076\" aria-describedby=\"caption-attachment-12076\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12076\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw-1024x793.jpg\" alt=\"John Thomson, &quot;The Island Pagoda,&quot; 1873, carbon print. (\u00a9 Peabody Essex Museum.)\" width=\"900\" height=\"697\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw-1024x793.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw-300x232.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw-768x595.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw-370x287.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picThomsonRiverMinph26-19_image02-Full-JPGw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12076\" class=\"wp-caption-text\">John Thomson, &#8220;The Island Pagoda,&#8221; 1873, carbon print. (\u00a9 Peabody Essex Museum.)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.pem.org\/exhibitions\/a-lasting-memento-john-thomsons-photographs-along-the-river-min\" target=\"_blank\" rel=\"noopener\">\u201cA Lasting Memento: John Thomson\u2019s Photographs Along the River Min,\u201d<\/a> Peabody Essex Museum, Salem, June 1, 2019, to May 17, 2020<\/h2>\n<p>John Thomson\u2019s 19th century photos of China\u2019s Fujian province offer more than 40 landscapes, city views and portrait studies. Photographs by contemporary artist Luo Dan, who was inspired by Thomson to undertake a similar journey in southwestern China, complement the presentation.<\/p>\n<hr \/>\n<figure id=\"attachment_12077\" aria-describedby=\"caption-attachment-12077\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12077\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w-768x1024.jpg\" alt=\"Esther Solondz &quot;Floating Between Two Worlds.&quot; (Courtesy Fruitlands Museum)\" width=\"768\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w-768x1024.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w-225x300.jpg 225w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w-370x493.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picEsther-SolondzFloating_Between_Two_Worlds_2w.jpg 1170w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption id=\"caption-attachment-12077\" class=\"wp-caption-text\">Esther Solondz &#8220;Floating Between Two Worlds.&#8221; (Courtesy Fruitlands Museum)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/fruitlands.thetrustees.org\/exhibition\/solondz\" target=\"_blank\" rel=\"noopener\">\u201cEsther Solondz: Floating Between Two Worlds,\u201d<\/a> Fruitlands Museum, Harvard, June 1 to Nov. 3, 2019<\/h2>\n<p>Esther Solondz \u201cexplores the overlapping relationship between the natural world and the art world\u201d via a translucent outdoor tent filled with milkweed sculptures and hummingbird feeders.<\/p>\n<hr \/>\n<figure id=\"attachment_12056\" aria-describedby=\"caption-attachment-12056\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12056\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w-1024x894.jpg\" alt=\"Colectivo Morivivi, one of the groups participating in 2019 Fresh Paint Springfield.\" width=\"900\" height=\"786\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w-1024x894.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w-300x262.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w-768x670.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w-370x323.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picSpringfieldColectivoMorivivi4w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12056\" class=\"wp-caption-text\">Colectivo Morivivi, one of the groups participating in 2019 Fresh Paint Springfield.<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.freshpaintspringfield.com\" target=\"_blank\" rel=\"noopener\">\u201cFresh Paint Springfield,\u201d<\/a> begins June 2, 2019<\/h2>\n<p>Muralists paint downtown Springfield buildings from June 2 to 8.<\/p>\n<hr \/>\n<figure id=\"attachment_12059\" aria-describedby=\"caption-attachment-12059\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12059\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w-1024x614.jpg\" alt=\"Dewitt Hardy &quot;Reclining-Figure on Victorian-Couch,&quot; c. 1966, watercolor on paper. (Ogunquit Museum of American Art)\" width=\"900\" height=\"540\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w-1024x614.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w-300x180.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w-768x460.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w-370x222.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHardyReclining-Figure-on-Victorian-Couchc1966w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12059\" class=\"wp-caption-text\">Dewitt Hardy &#8220;Reclining-Figure on Victorian-Couch,&#8221; c. 1966, watercolor on paper. (Ogunquit Museum of American Art)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.bates.edu\/museum\/dewitt-hardy-a-master-of-watercolor\/\" target=\"_blank\" rel=\"noopener\">&#8220;DeWitt Hardy: Master of Watercolor,&#8221;<\/a> Bates College Museum of Art, Lewiston, Maine, June 7 to Oct. 5, 2019<\/h2>\n<p>Spanning more than five decades of paintings by Maine artist DeWitt Hardy (1940-2017) of the southern Maine coast, woods, fields, houses, factories and people.<\/p>\n<hr \/>\n<figure id=\"attachment_12049\" aria-describedby=\"caption-attachment-12049\" style=\"width: 544px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12049\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat-544x1024.jpg\" alt=\"Pierre-Auguste Renoir (French, 1841\u20131919), &quot;Boy with a Cat,&quot; 1868. Oil on canvas. (Courtesy Clark Art Institute)\" width=\"544\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat-544x1024.jpg 544w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat-159x300.jpg 159w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat-768x1447.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat-370x697.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Renoir_Boy-with-a-Cat.jpg 1170w\" sizes=\"(max-width: 544px) 100vw, 544px\" \/><\/a><figcaption id=\"caption-attachment-12049\" class=\"wp-caption-text\">Pierre-Auguste Renoir (French, 1841\u20131919), &#8220;Boy with a Cat,&#8221; 1868. Oil on canvas. (Courtesy Clark Art Institute)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.clarkart.edu\/Exhibition\/Renoir\" target=\"_blank\" rel=\"noopener\">\u201cRenoir: The Body, The Senses\u201d<\/a> Clark Art Institute, Williamstown, June 8 to Sept. 22, 2019<\/h2>\n<p>The museum marks the centenary of the death of Pierre-Auguste Renoir (1841\u20131919) with this showcase of the French Impressionist\u2019s depiction of the human body\u2014especially naked people\u2014in paintings, pastels and sculptures. Plus art by his predecessors, contemporaries and followers.<\/p>\n<hr \/>\n<figure id=\"attachment_12045\" aria-describedby=\"caption-attachment-12045\" style=\"width: 870px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12045\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW-870x1024.jpg\" alt=\"Peter S\u00eds, &quot;Flying Man,&quot; tapestry design honoring Czech Republic President V\u00e1clav Havel. Commissioned by V\u00e1clav Havel Airport Prague, 2011. (\u00a9 Peter S\u00eds.)\" width=\"870\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW-870x1024.jpg 870w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW-255x300.jpg 255w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW-768x904.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW-370x435.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picPeterSisFlyingManW.jpg 1170w\" sizes=\"(max-width: 870px) 100vw, 870px\" \/><\/a><figcaption id=\"caption-attachment-12045\" class=\"wp-caption-text\">Peter S\u00eds, &#8220;Flying Man,&#8221; tapestry design honoring Czech Republic President V\u00e1clav Havel. Commissioned by V\u00e1clav Havel Airport Prague, 2011. (\u00a9 Peter S\u00eds.)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.carlemuseum.org\/content\/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">\u201cThe Picture Book Odysseys of Peter S\u00eds,\u201d<\/a> Eric Carle Museum of Picture Book Art, Amherst, June 8 to Sept. 29, 2019<\/h2>\n<p>More than 80 original illustrations from 25 picture books recounting the lives of Christopher Columbus, Antoine de Saint-Exup\u00e9ry, Galileo Gallilei and Charles Darwin.<\/p>\n<hr \/>\n<figure id=\"attachment_11232\" aria-describedby=\"caption-attachment-11232\" style=\"width: 692px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11232\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock-692x1024.jpg\" alt=\"Arnold Skolnick, concert poster for the Woodstock festival, August 1969.\" width=\"692\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock-692x1024.jpg 692w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock-203x300.jpg 203w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock-768x1136.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock-370x547.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picWoodstock.jpg 1170w\" sizes=\"(max-width: 692px) 100vw, 692px\" \/><\/a><figcaption id=\"caption-attachment-11232\" class=\"wp-caption-text\">Arnold Skolnick, concert poster for the Woodstock festival, August 1969.<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.nrm.org\/2016\/12\/woodstock-to-the-moon-1969-illustrated\/\" target=\"_blank\" rel=\"noopener\">\u201cWoodstock to the Moon: 1969 Illustrated,\u201d<\/a> Norman Rockwell Museum, Stockbridge, June 8 to Oct. 27, 2019<\/h2>\n<p>In celebration of Norman Rockwell Museum\u2019s 50th Anniversary, a look at the politics, music and moon landing of 1969 through the iconic poster for the Woodstock music festival, Rockwell\u2019s album cover for \u201cThe Live Adventures of Mike Bloomfield and Al Kooper,\u201d and other illustrations and vintage archival material from that period.<\/p>\n<hr \/>\n<figure id=\"attachment_11231\" aria-describedby=\"caption-attachment-11231\" style=\"width: 605px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11231\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW-605x1024.jpg\" alt=\"\u201cBallerina\u201d from \u201cBody Worlds. (Courtesy Museum of Science, Boston)\" width=\"605\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW-605x1024.jpg 605w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW-177x300.jpg 177w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW-768x1300.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW-370x626.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picBodyWorldsBallettDancerW.jpg 1170w\" sizes=\"(max-width: 605px) 100vw, 605px\" \/><\/a><figcaption id=\"caption-attachment-11231\" class=\"wp-caption-text\">\u201cBallerina\u201d from \u201cBody Worlds. (Courtesy Museum of Science, Boston)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.mos.org\/exhibits\/body-worlds\" target=\"_blank\" rel=\"noopener\">\u201cBody Worlds &amp; The Cycle of Life,\u201d<\/a> Museum of Science, Boston, June 16, 2019, to January 5, 2020<\/h2>\n<p>More than a hundred human bodies marvelously\/creepily preserved through Gunther von Hagens\u2019s signature technique of \u201cPlastination\u201d detail human development \u201cfrom infancy to old age.\u201d And check out how Hagens liked to pose the corpses as acrobats, football players and ballerinas. In past exhibitions, he flayed muscle to sculpt into \u201cclothes\u201d for the deceased.<\/p>\n<hr \/>\n<figure id=\"attachment_12048\" aria-describedby=\"caption-attachment-12048\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12048\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909-1024x730.jpg\" alt=\"Lewis Hine. &quot;The dumps turned into a playground, Boston,&quot; 1909, photo. (Courtesy Gardner Museum)\" width=\"900\" height=\"642\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909-1024x730.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909-300x214.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909-768x547.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909-370x264.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Lewis-Hine_the-dumps-turned-into-a-playground-Boston-1909.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12048\" class=\"wp-caption-text\">Lewis Hine. &#8220;The dumps turned into a playground, Boston,&#8221; 1909, photo. (Courtesy Gardner Museum)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.gardnermuseum.org\/calendar\/exhibition\/big-plans\" target=\"_blank\" rel=\"noopener\">\u201cBig Plans: Picturing Social Reform,\u201d<\/a> Gardner Museum, Boston, June 20 to Sept. 15, 2019<\/h2>\n<p>A look at how landscape architecture in the late 19th and early 20th centuries in Boston, New York and Chicago endeavored to be a progressive improvement to the lives of working-class immigrants.<\/p>\n<hr \/>\n<figure id=\"attachment_11230\" aria-describedby=\"caption-attachment-11230\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11230\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w-1024x824.jpg\" alt=\"Mickalene Thomas, \u201cRacquel with Les Trois Femmes,\u201d 2018. Chromogenic print. (\u00a9 Mickalene Thomas, Courtesy of the artist and Yancey Richardson. Wadsworth Atheneum Museum of Art.)\" width=\"900\" height=\"724\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w-1024x824.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w-300x242.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w-768x618.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w-370x298.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picMickalene-Thomas_2019w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-11230\" class=\"wp-caption-text\">Mickalene Thomas, \u201cRacquel with Les Trois Femmes,\u201d 2018. Chromogenic print. (\u00a9 Mickalene Thomas, Courtesy of the artist and Yancey Richardson. Wadsworth Atheneum Museum of Art.)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.thewadsworth.org\/be-seen-portrait-photography-since-stonewall\/\" target=\"_blank\" rel=\"noopener\">\u201cBe Seen: Portrait Photography Since Stonewall,\u201d<\/a> Wadsworth Atheneum, Hartford, June 22 to Sept. 15, 2019<\/h2>\n<p>The Wadsworth Atheneum marks the 50th anniversary of New York\u2019s landmark The 1969 Stonewall riots with a show of 24 photographers\u2014Nan Goldin, Peter Hujar, Robert Mapplethorpe, Zanele Muholi, Catherine Opie, Paul Mpagi Sepuya, Mickalene Thomas\u2014exploring portraiture and playing with societal norms of gender and sexuality.<\/p>\n<hr \/>\n<figure id=\"attachment_12075\" aria-describedby=\"caption-attachment-12075\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12075\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw-1024x615.jpg\" alt=\"Kimsooja, &quot;Archive of Mind,&quot; 2016. Participatory site specific installation. (Courtesy of MMCA, Hyundai Motor Co. and Kimsooja Studio)\" width=\"900\" height=\"541\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw-1024x615.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw-300x180.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw-768x461.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw-370x222.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKimsooja-Archive-of-Mind_Jeon-Byung-Cheol-2-Full-JPGw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12075\" class=\"wp-caption-text\">Kimsooja, &#8220;Archive of Mind,&#8221; 2016. Participatory site specific installation. (Courtesy of MMCA, Hyundai Motor Co. and Kimsooja Studio)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.pem.org\/press-news\/pem-invites-visitors-to-participate-in-a-meditative-sculptural-installation-by-world-renowned-korean-artist\" target=\"_blank\" rel=\"noopener\">\u201cArchive of Mind,\u201d<\/a> Peabody Essex Museum, Salem, June 22, 2019, to Jan. 19, 2020<\/h2>\n<p>Korean artist Kimsooja invites visitors to shape clay into balls to add to her installation of what will be thousands of clay balls. She aims to \u201ctransform simple, everyday actions into moments of meditation and transcendence.\u201d<\/p>\n<hr \/>\n<figure id=\"attachment_12068\" aria-describedby=\"caption-attachment-12068\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12068\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990-1024x707.jpg\" alt=\"Dona Ann McAdams, &quot;ACT UP at the Waldorf Astoria, NYC,&quot; 1990, silver gelatin photograph. (courtesy of the artist)\" width=\"900\" height=\"621\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990-1024x707.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990-300x207.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990-768x530.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990-370x256.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picDonaAnnMcAdamsACT-UP-at-the-Waldorf-Astoria-NYC-1990.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12068\" class=\"wp-caption-text\">Dona Ann McAdams, &#8220;ACT UP at the Waldorf Astoria, NYC,&#8221; 1990, silver gelatin photograph. (courtesy of the artist)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.brattleboromuseum.org\/2019\/03\/08\/dona-ann-mcadams-performative-acts\/\" target=\"_blank\" rel=\"noopener\">\u201cDona Ann McAdams: Performative Acts,\u201d<\/a> Brattleboro Museum, Vermont, June 22 to Sept. 23, 2019<\/h2>\n<p>Photographs documenting two decades of performance art at New York\u2019s P.S. 122 as well as queer liberation and AIDS activism, ACT UP actions, anti-nuclear, pro-choice, war protest, and feminist rallies. The exhibition includes collaborative portraits she made while running an arts workshop in Coney Island for people living with schizophrenia. There are also McAdams\u2019s photos of farmers in rural West Virginia, cloistered nuns in rural upstate New York, and life in Vermont, where she now lives and raises goats on a farm in Sandgate.<\/p>\n<hr \/>\n<figure id=\"attachment_12081\" aria-describedby=\"caption-attachment-12081\" style=\"width: 723px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12081\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970-723x1024.jpg\" alt=\"Anna Opperman, &quot;Einzelwerk Karton 007,&quot; 1970, mixed media on cardboard. (Courtesy of the Estate Anna Oppermann \/ Galerie Barbara Thumm, Berlin Germany)\" width=\"723\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970-723x1024.jpg 723w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970-212x300.jpg 212w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970-768x1088.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970-370x524.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picAnna-OppermanEinzelwerkKarton007-1970.jpg 900w\" sizes=\"(max-width: 723px) 100vw, 723px\" \/><\/a><figcaption id=\"caption-attachment-12081\" class=\"wp-caption-text\">Anna Opperman, &#8220;Einzelwerk Karton 007,&#8221; 1970, mixed media on cardboard. (Courtesy of the Estate Anna Oppermann \/ Galerie Barbara Thumm, Berlin Germany)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/carpenter.center\/program\/anna-oppermann-drawings\" target=\"_blank\" rel=\"noopener\">&#8220;Anna Oppermann: Drawings,&#8221;<\/a> Carpenter Center for the Visual Arts, Harvard University, Cambridge, Jun 22 \u2013 Sep 29, 2019<\/h2>\n<p>The German artist (1940\u20131993) is best known for obsessive, shrine-like installations of photos and furniture and her visionary drawings of her body and domestic scenes. This exhibition exhibits one of her early transitional \u201censembles\u201d along with several of her early drawings.<\/p>\n<hr \/>\n<figure id=\"attachment_11226\" aria-describedby=\"caption-attachment-11226\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11226\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w-768x1024.jpg\" alt=\"Stephanie Syjuco, \u201cCover-Up,\u201d 2016. From the series \u201cCargo Cults.\u201d Pigmented inkjet print. (Courtesy Catharine Clark, San Francisco, \u00a9 Stephanie Syjuco)\" width=\"768\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w-768x1024.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w-225x300.jpg 225w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w-370x493.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/04\/picLessIsABore-Syjuco_cargocults_Coverup_2016w.jpg 1170w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption id=\"caption-attachment-11226\" class=\"wp-caption-text\">Stephanie Syjuco, \u201cCover-Up,\u201d 2016. From the series \u201cCargo Cults.\u201d Pigmented inkjet print. (Courtesy Catharine Clark, San Francisco, \u00a9 Stephanie Syjuco)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.icaboston.org\/exhibitions\/less-bore-maximalist-art-design\" target=\"_blank\" rel=\"noopener\">\u201cLess Is a Bore: Maximalist Art &amp; Design,\u201d<\/a> Institute of Contemporary Art, Boston, June 26 to Sept. 22, 2019<\/h2>\n<p>Against the persistent grain of minimalist modernism, a group show surveying artists gaga for decoration, pattern, maximalism, pluralism. Including Miriam Schapiro, Betty Woodman, Sanford Biggers, Lucas Samaras, Polly Apfelbaum, Nathalie du Pasquier, and Virgil Marti, Roger Brown, Monir Shahroudy Farmanfarmaian, Jeffrey Gibson, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Ellen Lesperance, Howardena Pindell, Lari Pittman, Pae White.<\/p>\n<hr \/>\n<h2><a href=\"https:\/\/www.portlandmuseum.org\/exhibitions\/expansion-cubism-1911-1920\" target=\"_blank\" rel=\"noopener\">\u201cThe Expansion of Cubism, 1911-1920,\u201d<\/a> Portland Museum of Art, Maine, June 28 to Oct. 6, 2019<\/h2>\n<p>Looking beyond Pablo Picasso and Georges Braque, to see how other artists developed the cubist ideas they\u2019d pioneered. Paintings, sculpture and works on paper by Fernand L\u00e9ger, Marie Laurencin, Jean Metzinger and Max Weber trace a larger story of the movement.<\/p>\n<hr \/>\n<h2>JULY<\/h2>\n<figure id=\"attachment_12050\" aria-describedby=\"caption-attachment-12050\" style=\"width: 873px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12050\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson-873x1024.jpg\" alt=\"Ida O'Keeffe &quot;Variation on a Lighthouse Theme IV,&quot; c. 1931-32. oil on canvas. (Courtesy Clark Art Institute)\" width=\"873\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson-873x1024.jpg 873w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson-256x300.jpg 256w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson-768x901.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson-370x434.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Ida-Ten-Eyck-OKeeffe-Variation-on-a-Lighthouse-Theme-IV-by-1933-oil-on-canvas-Collection-of-Jeri-Wolfson.jpg 1170w\" sizes=\"(max-width: 873px) 100vw, 873px\" \/><\/a><figcaption id=\"caption-attachment-12050\" class=\"wp-caption-text\">Ida O&#8217;Keeffe &#8220;Variation on a Lighthouse Theme IV,&#8221; c. 1931-32. oil on canvas. (Courtesy Clark Art Institute)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.clarkart.edu\/Exhibition\/Ida-O-Keeffe\" target=\"_blank\" rel=\"noopener\">\u201cIda O\u2019Keeffe: Escaping Georgia\u2019s Shadow,\u201d<\/a> Clark Art Institute, Williamstown, July 4 to Oct. 6, 2019<\/h2>\n<p>You\u2019ve heard about Georgia O\u2019Keeffe. This exhibition looks into the career of her overshadowed sister, Ida (1889\u20131961), via her paintings and prints from the 1920s to \u201840s. Plus sibling rivalry!<\/p>\n<hr \/>\n<figure id=\"attachment_12058\" aria-describedby=\"caption-attachment-12058\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12058\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951-1024x507.jpg\" alt=\"Hyman Bloom &quot;Female Leg,&quot; 1951, oil on canvas. (Courtesy, Museum of Fine Arts, Boston)\" width=\"900\" height=\"446\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951-1024x507.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951-300x148.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951-768x380.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951-370x183.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picBloomFemale-Leg_1951.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12058\" class=\"wp-caption-text\">Hyman Bloom &#8220;Female Leg,&#8221; 1951, oil on canvas. (Courtesy, Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.mfa.org\/exhibitions\/hyman-bloom-matters-of-life-and-death\" target=\"_blank\" rel=\"noopener\">\u201cHyman Bloom: Matters of Life and Death,\u201d<\/a> Museum of Fine Arts, Boston, July 13, 2019\u2013Feb. 23, 2020<\/h2>\n<p>Bloom (1913-2009) was inspired by the German Expressionist art of World War I and his own impoverished upbringing as an immigrant to Boston fleeing wars and ethnic violence in his native Latvia to become one of the pioneers of early 20th century Boston Expressionism. This exhibition highlights some 70 of his abject expressionist paintings and drawings of fiery chandeliers and Christmas trees, rotting corpses and visionary still-lifes. Said to be an early inspiration to Willem de Kooning, Jackson Pollock and other New York School action painters, by 1946, critic Clement Greenberg was arguing in The Nation, \u201cI do not think that Bloom\u2019s expressionism offers great possibilities for the future.\u201d See how wrong Greenberg was.<\/p>\n<hr \/>\n<figure id=\"attachment_12053\" aria-describedby=\"caption-attachment-12053\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12053\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-1024x1024.jpg\" alt=\"Kay Kenny &quot;Orchard House,&quot; 2013, photo. (Griffin Museum of Photography)\" width=\"900\" height=\"900\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-1024x1024.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-150x150.jpg 150w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-300x300.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-768x768.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-370x370.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w-70x70.jpg 70w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picKenneyOrchardhouse2013w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12053\" class=\"wp-caption-text\">Kay Kenny &#8220;Orchard House,&#8221; 2013, photo. (Griffin Museum of Photography)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/griffinmuseum.org\/show\/night-middle-nowhere\/\" target=\"_blank\" rel=\"noopener\">\u201cKay Kenny: Into the Night In the Middle of Nowhere,\u201d<\/a> Griffin Museum of Photography, Winchester, July 18 \u2013 Sept. 1, 2019<\/h2>\n<p>Long-exposure photos of night in southern New Hampshire and the American Southwest.<\/p>\n<hr \/>\n<figure id=\"attachment_12055\" aria-describedby=\"caption-attachment-12055\" style=\"width: 793px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12055\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling-793x1024.jpg\" alt=\"Prosopon School, &quot;Wrestling with Angels.&quot; (Courtesy Museum of Russian Icons)\" width=\"793\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling-793x1024.jpg 793w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling-232x300.jpg 232w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling-768x991.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling-370x478.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picIconsWrestling.jpg 1170w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/a><figcaption id=\"caption-attachment-12055\" class=\"wp-caption-text\">Prosopon School, &#8220;Wrestling with Angels.&#8221; (Courtesy Museum of Russian Icons)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.museumofrussianicons.org\/upcoming-exhibitions\/\" target=\"_blank\" rel=\"noopener\">\u201cWrestling with Angels: Icons from the Prosopon School of Iconology,\u201d<\/a> Museum of Russian Icons, Clinton, July 19 to Oct. 20, 2019<\/h2>\n<p>Contemporary icon paintings by artists from New York\u2019s Prosopon School, including its founder Vladislav Andrejev, an iconographer in the Russian-Byzantine tradition who emigrated to the United States from Russia in 1980.<\/p>\n<hr \/>\n<figure id=\"attachment_12057\" aria-describedby=\"caption-attachment-12057\" style=\"width: 732px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12057\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames-732x1024.jpg\" alt=\"Kay Nielsen, &quot;Flowers and Flames,&quot; 1921, opaque watercolor and metallic paint, over graphite. (Courtesy, Museum of Fine Arts, Boston)\" width=\"732\" height=\"1024\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames-732x1024.jpg 732w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames-214x300.jpg 214w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames-768x1075.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames-370x518.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picNielsenFlowers-and-Flames.jpg 1170w\" sizes=\"(max-width: 732px) 100vw, 732px\" \/><\/a><figcaption id=\"caption-attachment-12057\" class=\"wp-caption-text\">Kay Nielsen, &#8220;Flowers and Flames,&#8221; 1921, opaque watercolor and metallic paint, over graphite. (Courtesy, Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.mfa.org\/exhibitions\/kay-nielsens-enchanted-vision\" target=\"_blank\" rel=\"noopener\">\u201cKay Nielsen\u2019s Enchanted Vision: The Kendra and Allan Daniel Collection,\u201d<\/a> Museum of Fine Arts, Boston, July 20, 2019, to Jan. 20, 2020<\/h2>\n<p>The Danish artist (1886\u20131957) is one of the most celebrated illustrators of the first half of the 20th century, noted for his distinctive luminous, ornate and often theatrical takes on classic fairy tales. (He also helped design the \u201cNight on Bald Mountain\u201d sequence for Disney\u2019s 1940 film \u201cFantasia.\u201d)<\/p>\n<hr \/>\n<figure id=\"attachment_12047\" aria-describedby=\"caption-attachment-12047\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12047\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016-1024x768.jpg\" alt=\"Farah Al Qasim, &quot;M Napping on Carpet,&quot; 2016, archival inkjet print. (Courtesy the artist; Helena Anrather, New York; and The Third Line, Dubai)\" width=\"900\" height=\"675\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016-1024x768.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016-300x225.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016-768x576.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016-370x278.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picFarahAlQasimiMNappingOCarpet2016.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12047\" class=\"wp-caption-text\">Farah Al Qasim, &#8220;M Napping on Carpet,&#8221; 2016, archival inkjet print. (Courtesy the artist; Helena Anrather, New York; and The Third Line, Dubai)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/listart.mit.edu\/exhibitions\/list-projects-farah-al-qasimi\" target=\"_blank\" rel=\"noopener\">\u201cList Projects: Farah Al Qasimi,\u201d<\/a> MIT List Visual Arts Center, Cambridge, July 30, 2019 &#8211; October 20, 2019<\/h2>\n<p>The photographs of Farah Al Qasimi, who splits her time between New York and Dubai, explore \u201cideas of national identity as they relate to consumerism and taste, while simultaneously offering covert critiques of the gender divide in the Gulf States and its colonial and religious origins,\u201d according to exhibition organizers.<\/p>\n<hr \/>\n<h2>AUGUST<\/h2>\n<figure id=\"attachment_12074\" aria-describedby=\"caption-attachment-12074\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12074\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w-920x1024.jpg\" alt=\"Erre (Marcos Ramirez), \u201cToy-an Horse,\u201d 1997. (Courtesy Mass MoCA)\" width=\"900\" height=\"1002\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w-920x1024.jpg 920w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w-270x300.jpg 270w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w-768x855.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w-370x412.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picErreToy-anHorse1997w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12074\" class=\"wp-caption-text\">Erre (Marcos Ramirez), \u201cToy-an Horse,\u201d 1997. (Courtesy Mass MoCA)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/massmoca.org\/event\/erre\/\" target=\"_blank\" rel=\"noopener\">\u201cErre: Them and Us \/ Ellos Y Nostros,\u201d<\/a> Mass MoCA, North Adams, opens Aug. 3, 2019<\/h2>\n<p>Erre (Marcos Ram\u00edrez), who splits his time between his native Tijuana and San Diego, is best known for \u201cToy-an Horse,\u201d his 33-foot-tall version of the Trojan horse, but with a head at each end, that he first displayed in 1997 on the U.S.-Mexico border during the InSite international art festival in Tijuana and San Diego. The charred remains of the monumental heads will be part of this exhibition addressing the current contested space of America\u2019s southern border. The exhibition will include a text installation of questions that ICE asks travelers crossing the border and \u201cOf Fence\u201d (2017), a sculptural recreation of the weathered, rusty-red metal barricade at the U.S. Tijuana border, will reach up to the ceiling and stretch across 120 feet of the museum.<\/p>\n<figure id=\"attachment_12052\" aria-describedby=\"caption-attachment-12052\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12052\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires-1024x734.jpg\" alt=\"Winslow Homer (1836-1910), &quot;Sunset Fires,&quot; 1880. Watercolor on paper. (The Westmoreland Museum of American Art, Greensburg, Pennsylvania)\" width=\"900\" height=\"645\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires-1024x734.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires-300x215.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires-768x551.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires-370x265.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picHomeSunset-Fires.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12052\" class=\"wp-caption-text\">Winslow Homer (1836-1910), &#8220;Sunset Fires,&#8221; 1880. Watercolor on paper. (The Westmoreland Museum of American Art, Greensburg, Pennsylvania)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.capeannmuseum.org\/exhibitions\/homer-beach\/\" target=\"_blank\" rel=\"noopener\">\u201cHomer at the Beach: A Marine Painter&#8217;s Journey, 1869-1880,\u201d<\/a> Cape Ann Museum, Gloucester, Aug. 3 to Dec. 1, 2019<\/h2>\n<p>It was in Gloucester, exhibit organizers argue, that \u201cHomer made his first watercolors and where he discovered his calling: to be a marine artist.\u201d With 50 original works from the 1860s and \u201870s painted from New Jersey to Maine, the exhibition shows how Homer (1836\u20131910) transformed himself from a New York illustrator into the fine artist of outdoor adventure.<\/p>\n<hr \/>\n<figure id=\"attachment_12060\" aria-describedby=\"caption-attachment-12060\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12060\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1-1024x644.jpg\" alt=\"Raisin Fahandej art. (Courtesy ICA Boston)\" width=\"900\" height=\"566\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1-1024x644.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1-300x189.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1-768x483.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1-370x233.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picICAFosterFahandej1.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12060\" class=\"wp-caption-text\">Raisin Fahandej art. (Courtesy ICA Boston)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.icaboston.org\/exhibitions\/2019-james-and-audrey-foster-prize\" target=\"_blank\" rel=\"noopener\">\u201c2019 James and Audrey Foster Prize,\u201d<\/a> Institute of Contemporary Art, Boston, Aug. 21, 2019, to Jan. 5, 2020<\/h2>\n<p>The museum\u2019s biannual showcase of Boston-area artists features Rashin Fahandej, Josephine Halvorson, Lavaughan Jenkins and and Helga Roht Poznanski. \u201cFirst established in 1999,\u201d the museum writes, \u201cthe James and Audrey Foster Prize (formerly the ICA Artist Prize) is central to the ICA\u2019s efforts to nurture and recognize local artists, showcase exceptional artwork, and support a thriving local arts scene.\u201d<\/p>\n<hr \/>\n<figure id=\"attachment_12078\" aria-describedby=\"caption-attachment-12078\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12078\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book-1024x683.jpg\" alt=\"Carolina Caycedo, &quot;Serpent River Book,&quot; 2017, artist book and customized table. (David de Rozas \u00a9 Museum Associates\/LACMA)\" width=\"900\" height=\"600\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book-1024x683.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book-300x200.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book-768x512.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book-370x247.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Carolina-CaycedoSerpent-River-Book.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12078\" class=\"wp-caption-text\">Carolina Caycedo, &#8220;Serpent River Book,&#8221; 2017, artist book and customized table. (David de Rozas \u00a9 Museum Associates\/LACMA)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/artgalleries.tufts.edu\/blog\/news\/2019\/04\/07\/548\/\" target=\"_blank\" rel=\"noopener\">\u201cBookworks\u201d<\/a> Tufts University Art Galleries, Medford, Aug. 22 to Dec. 15, 2019<\/h2>\n<p>Artist-made books from the 1960s to now.<\/p>\n<hr \/>\n<figure id=\"attachment_12093\" aria-describedby=\"caption-attachment-12093\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12093\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w-1024x792.jpg\" alt=\"Munro Makuuchi, &quot;Hardedge drawings ala Dad via +,&quot; c. 1986\u201389, drypoint, scraping, and burnishing on warm white Arches paper. (Smith College Museum of Art)\" width=\"900\" height=\"696\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w-1024x792.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w-300x232.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w-768x594.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w-370x286.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/picMakuuchiHardEdgeDrawing86w.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12093\" class=\"wp-caption-text\">Munro Makuuchi, &#8220;Hardedge drawings ala Dad via +,&#8221; c. 1986\u201389, drypoint, scraping, and burnishing on warm white Arches paper. (Smith College Museum of Art)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.smith.edu\/artmuseum\/On-View\/Upcoming\/Defiant-Vision-Prints-Poetry-by-Munio-Makuuchi\" target=\"_blank\" rel=\"noopener\">\u201cDefiant Vision: Prints &amp; Poetry by Munio Makuuchi,\u201d<\/a> Smith College Museum of Art, Northampton, Aug. 23 to Dec. 8, 2019<\/h2>\n<p>The Minidoka Relocation Center in Idaho, where Munio Makuuchi (born Howard Takahashi, 1934-2000) and family were incarcerated as under World War II restrictions on Japanese Americans, \u201cwas a catalyst for Makuuchi\u2019s art as well as his rootless existence.\u201d<\/p>\n<hr \/>\n<figure id=\"attachment_12071\" aria-describedby=\"caption-attachment-12071\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12071\" src=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw-1024x647.jpg\" alt=\"Winslow Homer, &quot;Prisoners from the Front,&quot; 1866, oil on canvas. (\u00a9 The Metropolitan Museum of Art. Image source: Art Resource, NY.)\" width=\"900\" height=\"569\" srcset=\"https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw-1024x647.jpg 1024w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw-300x189.jpg 300w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw-768x485.jpg 768w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw-370x234.jpg 370w, https:\/\/gregcookland.com\/wonderland\/wp-content\/uploads\/2019\/05\/Homer_PrisonersFromFront_Hom1_LEG270275_PRw.jpg 1170w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><figcaption id=\"caption-attachment-12071\" class=\"wp-caption-text\">Winslow Homer, &#8220;Prisoners from the Front,&#8221; 1866, oil on canvas. (\u00a9 The Metropolitan Museum of Art. Image source: Art Resource, NY.)<\/figcaption><\/figure>\n<h2><a href=\"https:\/\/www.harvardartmuseums.org\/visit\/exhibitions\/5660\/winslow-homer-eyewitness\" target=\"_blank\" rel=\"noopener\">\u201cWinslow Homer: Eyewitness,\u201d<\/a> Harvard Art Museums, Cambridge, Aug. 31, 2019, to Jan. 5, 2020<\/h2>\n<p>Explores how Winslow Homer\u2019s (1836\u20131910) work as an artist-correspondent for Harper\u2019s Weekly during the American Civil War shaped his later career as a painter and watercolorist.<\/p>\n<hr \/>\n<p><em>If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by <a href=\"https:\/\/www.patreon.com\/wonderlandlandfanclub\" target=\"_blank\" rel=\"noopener\">contributing to Wonderland on Patreon<\/a>. And <a href=\"https:\/\/gregcookland.com\/wonderland\/subscribe\/\" target=\"_blank\" rel=\"noopener\">sign up for our free, weekly newsletter<\/a> so that you don&#8217;t miss any of our reporting.<\/em><\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>Here is Wonderland\u2019s guide to the best museum exhibitions to see around New England this summer\u2026. If this is the kind of coverage of arts, cultures and activisms you appreciate, please support Wonderland by contributing to Wonderland on Patreon. And sign up for our free, weekly newsletter so that you don&#8217;t miss any of our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12061,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100,180,179],"tags":[],"_links":{"self":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/12027"}],"collection":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/comments?post=12027"}],"version-history":[{"count":29,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/12027\/revisions"}],"predecessor-version":[{"id":12148,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/posts\/12027\/revisions\/12148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media\/12061"}],"wp:attachment":[{"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/media?parent=12027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/categories?post=12027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregcookland.com\/wonderland\/wp-json\/wp\/v2\/tags?post=12027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}